03685nam 22006495 450 99658204980331620230801225004.00-8147-3897-410.18574/9780814738979(CKB)2670000000269834(EBL)1057771(OCoLC)818819032(SSID)ssj0000832337(PQKBManifestationID)11966404(PQKBTitleCode)TC0000832337(PQKBWorkID)10881667(PQKB)10187498(StDuBDS)EDZ0001326219(MiAaPQ)EBC1057771(OCoLC)1175640703(OCoLC)817560278(OCoLC)818819032(OCoLC)1162196684(OCoLC)on1175640703(MdBmJHUP)muse19227(DE-B1597)548518(DE-B1597)9780814738979(OCoLC)817560278(EXLCZ)99267000000026983420200608h20122012 fg engur|n|---|||||txtccrThe Makeover Reality Television and Reflexive Audiences /Katherine SenderNew York, NY : New York University Press, [2012]©20121 online resource (255 p.)Critical Cultural Communication ;26Description based upon print version of record.0-8147-4070-7 0-8147-4069-3 Includes bibliographical references and index.Frontmatter -- Contents -- Acknowledgments -- 1. Self-Projects -- 2. Gender and Genre -- 3. Not Like Paris Hilton -- 4. Shame on You -- 5. Feeling Real -- 6. Mirror, Mirror -- 7. Research Reflexivity -- 8. Once More with Feeling -- Appendix I. Protocols -- Appendix II. Demographic Data -- Notes -- Bibliography -- Index -- About the Author Watch this show, buy this product, you can be a whole new you! Makeover television shows repeatedly promise self-renewal and the opportunity for reinvention, but what do we know about the people who watch them? As it turns out, surprisingly little.The Makeover is the first book to consider the rapid rise of makeover shows from the perspectives of their viewers. Katherine Sender argues that this genre of reality television continues a long history of self-improvement, shaped through contemporary media, technological, and economic contexts. Most people think that reality television viewers are ideological dupes and obliging consumers. Sender, however, finds that they have a much more nuanced and reflexive approach to the shows they watch. They are critical of the instruction, the consumer plugs, and the manipulative editing in the shows. At the same time, they buy into the shows’ imperative to construct a reflexive self: an inner self that can be seen as if from the outside, and must be explored and expressed to others. The Makeover intervenes in debates about both reality television and audience research, offering the concept of the reflexive self to move these debates forward.Critical cultural communication.Makeover television programsHistory and criticismReality television programsHistory and criticismMakeover television programsHistory and criticism.Reality television programsHistory and criticism.791.45655AP 35160rvkSender Katherine, authttp://id.loc.gov/vocabulary/relators/aut1598162DE-B1597DE-B1597BOOK996582049803316The Makeover4128414UNISA