02555nam 22006013 450 99657185800331620231214084507.03-8394-6964-310.1515/9783839469644(CKB)29277348500041(MiAaPQ)EBC7374630(Au-PeEL)EBL7374630(DE-B1597)665213(DE-B1597)9783839469644(EXLCZ)992927734850004120231214d2023 uy 0gerur|||||||||||txtrdacontentcrdamediacrrdacarrierDas Inspection Panel der Weltbank Entwicklungspolitische Praktiken zwischen Disruption und Legitimation1st ed.Bielefeld :transcript,2023.©2023.1 online resource (341 pages)Global Studies9783837669640 Als zentrales Organ der Entwicklungspolitik kann die Weltbank viel über Inhalt und Form konkreter Maßnahmen bestimmen. Das Inspection Panel der Weltbank gilt in diesem Rahmen als Chance, Einfluss auf die Kreditvergabe zu nehmen und emanzipatorisches Potenzial zu entfalten. Dustin Schäfer lotet Möglichkeiten und Grenzen dieses Instruments aus und kombiniert dazu postkoloniale mit liberalen organisationssoziologischen Ansätzen. Aus der Perspektive einer machtkritischen Bürokratieforschung bietet er einerseits tiefgreifende Einblicke in die systematische Erforschung internationaler Organisationen, formuliert andererseits aber auch Handlungsorientierungen für politische Entscheidungsträger*innen und entwicklungspolitische Praktiker*innen.Global StudiesSOCIAL SCIENCE / Developing & Emerging CountriesbisacshAccountability.Bureaucracy.Globalization.International Relations.Organization.Political Sociology.Postcolonialism.Power.Sociology of Development.Sociology of Organizations.Sociology.World Bank.SOCIAL SCIENCE / Developing & Emerging Countries.Schäfer Dustin1461836Universität Kasselfndhttp://id.loc.gov/vocabulary/relators/fndMiAaPQMiAaPQMiAaPQBOOK996571858003316Das Inspection Panel der Weltbank3670649UNISA05042nam 22007215 450 991074608360332120251009082021.0978303141044430314104409783031410451(eBook)3031410459(eBook)10.1007/978-3-031-41045-1(OCoLC)1398495488(MiAaPQ)EBC30739113(CKB)28204526100041(DE-He213)978-3-031-41045-1(EXLCZ)992820452610004120230911d2023 u| 0engurbn#|||mna|atxtrdacontentcrdamediacrrdacarrierDeconstructing True Crime Literature /by Charlotte Barnes1st ed. 2023.Cham :Springer Nature Switzerland :Imprint: Palgrave Macmillan,2023.1 online resource (xv, 212 pages)Crime Files,2947-8359Print version: Barnes, Charlotte Deconstructing True Crime Literature Cham : Palgrave Macmillan,c2023 9783031410444 Includes bibliographical references and index.Chapter one: Introduction -- Chapter two: Time of Death: The early era of True Crime -- Chapter three: Writing the “I” in True Crime -- Chapter four: Vincent Bugliosi’s Objectivity: Can we side-step bias in True Crime? -- Chapter five: The Writer Inside Me: Does Ann Rule’s proximity to the serial killer celebrity translate to a reliable re-telling? -- Chapter six: Writing True Crime from a safe distance -- Chapter seven: Truman Capote’s World of Make-Believe: How does figurative language and creative license distort truth in In Cold Blood? -- Chapter eight: 3,500 files and an unfinished script: Is well-curated research and collaboration the key to truthful True Crime, considered through Michelle McNamara’s I’ll Be Gone in the Dark? -- Chapter nine: Writing creative (true) crime narratives -- Chapter ten: Manson’s Girls Make a Comeback: How (c)overt is the influence of the Charles Manson case on Emma Cline’s The Girls, and should readers be expected to ignore the connections? -- Chapter eleven: Narrative Hybridity in True Crime: Is Maggie Nelson integrating poetry into the True Crime genre? -- Chapter twelve: Conclusion."Charlotte Barnes has put together a thoroughgoing and provocative study of true crime narratives, examining every aspect of the form with impressive insight and originality." —Barry Forshaw, author of British Crime Film and Crime Fiction: A Reader’s Guide This book provides a critical discussion of True Crime literature, arguing for the deconstruction of the genre into subgenres that better reflect a work’s contents. In analysing seminal and lesser-known works, the areas of authenticity, accuracy, and author proximity are considered to form a framework on which an individual publication’s subgenre (re)categorisation can be assessed. The book considers the likes of Ann Rule, Truman Capote, and Maggie Nelson, among other notable authors. Their works – those that fit into True Crime and those that defy categorisation within the genre as it exists – are reviewed, and their defining features critiqued. Topics such as narrative methodologies, figurative language, and utilisation of research are considered in support of this. These strands combine to a larger discussion regarding a deconstruction of True Crime, and the ways in which this will improve the social responsibility of the genre, and encourage a more conscientious consumerism of it. Charlotte Barnes is a Lecturer in Creative and Professional Writing at the University of Wolverhampton. Charlotte has primarily researched crime fiction through practice-based means, and has since published ten novels in this genre. Charlotte explores representations of female violence, and the ways in which this area can critique and contribute both to creative writing and gender studies. .Crime Files,2947-8359Literary formLiteratureHistory and criticismLiterature, Modern20th centuryLiterature, Modern21st centuryMass media and crimeLiterary GenreLiterary CriticismContemporary LiteratureCrime and the MediaLiterary form.LiteratureHistory and criticism.Literature, ModernLiterature, ModernMass media and crime.Literary Genre.Literary Criticism.Contemporary Literature.Crime and the Media.364.1Barnes Charlotte1427959GW5XEGW5XEGW5XEYDXEBLCPMiAaPQCaOWtU9910746083603321Deconstructing true crime literature3563072UNINA