03602nam 2200601 450 99655235510331620220127215431.01-4744-9523-01-4744-4636-110.1515/9781474446365(CKB)4100000011804508(StDuBDS)EDZ0002607562(MiAaPQ)EBC6519203(Au-PeEL)EBL6519203(OCoLC)1243534589(DE-B1597)616520(DE-B1597)9781474446365(OCoLC)1306539574(ScCtBLL)207e084d-c183-4ff1-8fdd-e896e2daaccd(EXLCZ)99410000001180450820211011d2021 uy 0engur|||||||||||txtrdacontentrdacontentcrdamediacrrdacarrierCinematic intermediality theory and practice /edited by Kim Knowles and Marion SchmidEdinburgh, Scotland :Edinburgh University Press,[2021]1 online resource (208 pages) illustrationsEdinburgh studies in film and intermediality1-4744-4634-5 Includes bibliographical references and index.Intro -- Cinematic Intermediality -- Copyright -- Contents -- Figures -- Acknowledgements -- The Contributors -- Introduction -- Part 1 Mapping the Interzone -- 1 Film and Performance: Intermedial Intersections -- 2 Carving Cameras: Antonioni's Lo Sguardo di Michelangelo (2004) -- 3 The Photo-filmic and the Post-human: Picturesque Landscapes at the Peripheries of Global Cinema -- 4 Dream Screen: On Cinema and Painting, Blur and Absorption -- Part 2 The Intermedial Avant-gardes -- 5 From the Periphery to the Interstices: Avant-garde Film, Medium Specificity and Intermediality, 1970-2015 -- 6 The 'Artist as Filmmaker': Modernisms, Schisms, Misunderstandings -- 7 The Artwork/Statement as Intermedial Nexus: Paul Sharits's N:O:T:H:I:N:G -- Part 3 Technology, Apparatus, Affect -- 8 Intermediality and the Origins of Cinema -- 9 Cinematography's Blind Spots: Artistic Exploitations of the Film Frame -- 10 Filming and Feeling between the Arts: Pascale Breton, Suite armoricaine, and Eugène Green, Le Fis de Joseph -- Part 4 Intermedial Creation -- 11 What Does a Dance Filmmaker See? -- 12 Performance, Moving Image, Installation: The Making of Body of War and Faith -- 13 Muybridge's Disobedient Horses: Non-stop Stop-motion -- 14 A Dialogue with Claude Cahun: Between Writing, Photography and Film in Magic Mirror and Confessions to the Mirror -- Index.This edited collection proposes new directions for understanding cinematic intermediality, mapping out innovative approaches to film's relationship with some of its most influential artistic predecessors in the fields of performance, sculpture, painting, photography and dance.Edinburgh studies in film and intermediality.Motion pictures and the artsIntermedialityMotion picturesCriticism and interpretationMotion pictures and the arts.Intermediality.Motion picturesCriticism and interpretation.791.43657Knowles Kim, authttp://id.loc.gov/vocabulary/relators/aut1368079Knowles Kim1976-Schmid Marion1969-MiAaPQMiAaPQMiAaPQBOOK996552355103316Cinematic intermediality3392527UNISA