03718nam 2200565z- 450 99654035670331620231214141122.09783748921684(CKB)4100000011508992(oapen)https://directory.doabooks.org/handle/20.500.12854/41975(EXLCZ)99410000001150899220202102d2020 |y 0gerurmn|---annantxtrdacontentcrdamediacrrdacarrierBessere Rechtsetzung im europäischen VergleichGenese und Handlungswirklichkeit der Normenkontrollräte in Deutschland, den Niederlanden und dem Vereinigten KönigreichNomos Verlagsgesellschaft mbH & Co. KG2020Baden-Baden :Nomos,2020.1 electronic resource (271 p.)Modernisierung des öffentlichen Sektors ;Sonderband 50Erscheint auch als Druck-Ausgabe 9783848777600 Bibliography: p. 259-271.Zusammenfassung Um auch die unbeabsichtigten Folgen ihrer Politik zu ermitteln, unternehmen Regierungen umfassende Gesetzesfolgenabschätzungen. Immer häufiger lassen sie sich dabei von unabhängigen Expertengremien kontrollieren. Doch: Wie erzielen diese Gremien Einfluss? Und welche Rolle spielen sie als Politikberater für Bürokratieabbau und bessere Rechtsetzung? Das Buch eröffnet neue Einblicke in die Entwicklungshistorie und Handlungsrealität der drei erfahrensten Normenkontrollräte in Europa. Vor dem Hintergrund unterschiedlicher Verwaltungskulturen werden die Ratstypen „Wachhund“, „Torwächter“ und „Kritischer Freund“ herausgearbeitet. Die Ergebnisse schärfen die politische und wissenschaftliche Debatte um die Leistungsfähigkeit von Normenkontrollräten. Abstract In order to calculate the unintended consequences of their policies, governments conduct comprehensive assessments of the impact of legislation. In doing so, they have independent expert committees monitor them on an increasingly frequent basis. However, in what ways do these committees have an influence in this respect? And what role do they play as policy advisors in terms of dismantling bureaucracy and better legislation? This book provides new insights into the history of the development of the three most experienced supervisory bodies in Europe and the reality of how they conduct themselves. Against the backdrop of various administrative cultures, the book presents the following types of supervisory committees in detail: ‘watchdog’, ‘gatekeeper’ and ‘critical friend’. Its findings intensify the political and academic debate on the performance and efficiency of supervisory bodies.judicial reviewengeurovoclegislative procedureengeurovocregulationengeurovocadministrative formalitiesengeurovocadministrative controlengeurovocsimplification of legislationengeurovoccomparative analysisengeurovocthesisengeurovocGermanyengeurovocNetherlandsengeurovocjudicial reviewlegislative procedureregulationadministrative formalitiesadministrative controlsimplification of legislationcomparative analysisthesisGermanyNetherlandsSchurig Antoniaauth788946BOOK996540356703316Bessere Rechtsetzung im europäischen Vergleich1759186UNISA03349nam 2200577Ia 450 991095435140332120251116202917.01-134-92088-10-415-06517-81-280-02091-10-203-35937-21-134-92089-X10.4324/9780203359372 (MiAaPQ)EBC179251(Au-PeEL)EBL179251(CaPaEBR)ebr10100164(CaONFJC)MIL2091(OCoLC)252865270(OCoLC)54352727(CKB)1000000000405482(EXLCZ)99100000000040548219920420d1993 uy 0engurcn#|||uuuuutxtrdacontentcrdamediacrrdacarrierAvant garde theatre, 1892-1992 /Christopher Innes2nd ed.London ;New York Routledge1993vii, 266 p. illRev. and updated ed. of: Holy theatre. 1981.0-203-37613-7 0-415-06518-6 Includes bibliographical references and index.chapter 1 INTRODUCTION -- chapter 2 THE POLITICS OF PRIMITIVISM -- chapter 3 DREAMS, ARCHETYPES AND THE IRRATIONAL -- chapter 4 THERAPY AND SUBLIMINAL THEATRE -- chapter 5 ANTONIN ARTAUD AND THE THEATRE OF CRUELTY -- chapter 6 RITUAL AND ACTS OF COMMUNION -- chapter 7 BLACK MASSES AND CEREMONIES OF NEGATION -- chapter 8 MYTH AND THEATRE LABORATORIES -- chapter 9 SECULAR RELIGIONS AND PHYSICAL SPIRITUALITY -- chapter 10 ANTHROPOLOGY, ENVIRONMENTAL THEATRE AND SEXUAL REVOLUTION -- chapter 11 INTERCULTURALISM AND EXPROPRIATING THE CLASSICS -- chapter 12 FROM THE MARGINS TO MAINSTREAM.Examining the development of avant garde theatre from its inception in the 1890s right up to the present day, Christopher Innes exposes a central paradox of modern theatre; that the motivating force of theatrical experimentation is primitivism. What links the work of Strindberg, Artaud, Brook and Mnouchkine is an idealisation of the elemental and a desire to find ritual in archaic traditions. This widespread primitivism is the key to understanding both the political and aesthetic aspects of modern theatre and provides fresh insights into contemporary social trends. The original text, first published in 1981 as Holy Theatre, has been fully revised and up-dated to take account of the most recent theoretical developments in anthropology, critical theory and psychotherapy. New sections on Heiner Muller, Robert Wilson, Eugenio Barba, Ariane Mnouchkine and Sam Shepard have been added. As a result, the book now deals with all the major avant garde theatre practitioners, in Europe and North America. Avant Garde Theatre will be essential reading for anyone attempting to understand contemporary drama.Drama20th centuryHistory and criticismExperimental theaterDramaHistory and criticism.Experimental theater.809.2/04Innes Christopher1941-158716Innes Christopher1941-158716MiAaPQMiAaPQMiAaPQBOOK9910954351403321Avant garde theatre, 1892-19924483417UNINA