03272 am 22005773u 450 99649656950331620230621141313.090-485-1945-4(CKB)2670000000591117(SSID)ssj0001546215(PQKBManifestationID)16135567(PQKBTitleCode)TC0001546215(PQKBWorkID)12957175(PQKB)11051255(DE-B1597)596503(DE-B1597)9789048519453(oapen)https://directory.doabooks.org/handle/20.500.12854/32022(EXLCZ)99267000000059111720160829h20152015 fy 0engurmn#nnn|||||txtrdacontentcrdamediacrrdacarrierCinema against spectacle[electronic resource] technique and ideology revisited /by Jean-Louis Comolli ; translated and edited by Daniel FairfaxAmsterdam University Press2015Amsterdam :Amsterdam University Press,[2015]©20151 online resource (345 pages) illustrations; digital, PDF file(s).Open Access e-BooksKnowledge UnlatchedFilm theory in media history"Originally published as : Cinema, contre spectacle, Jean-Louis Comolli ;©Editions VERDIER, 2009".Print version: 9789089645548 Includes bibliographical references, filmography and index.Cinema against Spectacle -- Introduction -- Cinema against Spectacle -- I.Opening the Window? -- II.Inventing the Cinema? -- III.Filming the Disaster? -- IV.Cutting the Figure? -- V.Changing the Spectator? -- Technique and Ideology: Camera, Perspective, Depth of Field -- Introduction -- I.On a Dual Origin -- The ideological place of the "base apparatus" -- Birth = deferral: The invention of the cinema -- II.Depth of Field: The Double Scene -- Bazin's "surplus realism" -- The work of "transparency" -- For a materialist history of the cinema -- "For the first time..." -- III."Primitive" Depth of Field -- IV.Effacement of Depth/Advent of Speech -- V.Which Speech?.Jean-Louis Comolli’s six-part essay Technique and Ideology had a revolutionary effect on film theory and history when it first appeared in Cahiers du Cinéma in 1971. In 2009, Comolli revisited his earlier text, arguing that the present age, marked by the total dominance of media-filtered spectacle over image production, makes the need for an 'emancipated, critical spectator' more pressing than ever. In this volume, Daniel Fairfax presents annotated translations of these two texts to provide an overview of Comolli’s activity as both a theorist and a filmmaker.Film theory in media history.Motion picturesPhilosophyFilm Theory, Ideology, Cinema and Politics, Film History, Cahiers du cinéma.Motion picturesPhilosophy.791.4Comolli Jean-Louis522417Fairfax DanielPQKBAuAdUSAUkMaJRUBOOK996496569503316Cinema against spectacle2183002UNISA