01671nam 2200385Ia 450 99638720300331620221108045849.0(CKB)4940000000085281(EEBO)2248560743(OCoLC)9920461400971(EXLCZ)99494000000008528119950918d1572 uy |engurbn||||a|bb|By the Queene[electronic resource] the Queenes Maiestie, hearing credibly by report, that in some partes of her realme, her people and subiectes are, and of late have ben vexed and molested, by certayne lewde persons vnder pretence of executing commissions for inquiries to be made for lands concealed ..Imprinted at London in Powles Churchyarde By Richarde Iugge and Iohn Cawood, Printers to the Queenes Maiestie[1572]1 sheet ([1] p.)Floriated initial.Revoking commissions to inquire into concealments."Yeuen at her hyghnesse pallace at Westminster, the thirteenth day of February, in the fourteenth yere of her Maiesties raigne.""Cum priuilegio Regiæ Maiestatis."Reproduction of original in: Harvard University. Library.eebo-0062Church propertyEnglandGreat BritainHistoryElizabeth, 1558-1603BroadsidesLondon (England)16th century.rbgenrChurch propertyElizabethQueen of England,1533-1603.996842EBKEBKWaOLNBOOK996387203003316By the Queene2299089UNISA05621nam 22007455 450 99649656340331620240418143502.03-11-075448-7(CKB)5670000000398015(DE-B1597)585297(DE-B1597)9783110754483(MiAaPQ)EBC7163063(Au-PeEL)EBL7163063(OCoLC)1349351778(EXLCZ)99567000000039801520221107h20222023 fg engur||#||||||||txtrdacontentcrdamediacrrdacarrierComics and Agency /ed. by Jan-Noël Thon, Vanessa Ossa, Lukas R. A. Wilde1st ed.Berlin ;Boston :De Gruyter,[2022]©20231 online resource (VI, 305 p.)Comics Studies : Aesthetics, Histories, and Practices ;13-11-075440-1 Frontmatter --Contents --Comics and Agency --What We Do with Comics: The Agency of Collectors in Dylan Horrock’s Hicksville --Tintin’s Global Journey: Editors as Invisible Actors behind the Comics Industry of the 1960s --How a German Publisher Appropriates Comics It Did Not Originally Publish --The Agents of Doom: An Empirical Approach to Transmedia Actors --Agency in the Making: Distribution and Publication as Topics in Nikolas Mahler’s Die Goldgruber Chroniken and the Anthology Drawn & Quarterly --Comics Artist versus Artistic Genius: Kverneland and Fiske’s Approach to Artists, Metafiction, and Allusion to Contemporary Sources in Kanon --Death of the Endless and Fan Projections --“I Always Win”: Corporate Comics, Delinquent Fans, and the Body of Richard C. Meyer --Pilgrimage to Hall H: Fan Agency at Comic-Con --Librarians, Agency, Young People, and Comics: Graphic Account and the Development of Graphic Novel Collections in Libraries in Britain in the 1990s --Learning from Pupils about Conviviality --Ada in the Jungle and Aya of Yop City: Negotiating “Africa” in Comics --Telling Stories with Photo Archives: Intermedial Agency in Documentary Comics --Who Controls the Speech Bubbles? Reflecting on Agency in Comic-Games --Notes on Contributors --IndexThis volume aims to intensify the interdisciplinary dialogue on comics and related popular multimodal forms (including manga, graphic novels, and cartoons) by focusing on the concept of medial, mediated, and mediating agency. To this end, a theoretically and methodologically diverse set of contributions explores the interrelations between individual, collective, and institutional actors within historical and contemporary comics cultures. Agency is at stake when recipients resist hegemonic readings of multimodal texts. In the same manner, “authorship” can be understood as the attribution of agency of and between various medial instances and roles such as writers, artists, colorists, letterers, or editors, as well as with regard to commercial rights holders such as publishing houses or conglomerates and reviewers or fans. From this perspective, aspects of comics production (authorship and institutionalization) can be related to aspects of comics reception (appropriation and discursivation), and circulation (participation and canonization), including their potential for transmedialization and making contributions to the formation of the public sphere.Comics StudiesLITERARY CRITICISM / European / Generalbisacshagency.comics.fan culture.participatory culture.LITERARY CRITICISM / European / General.741.5Ahrens Jörnctbhttps://id.loc.gov/vocabulary/relators/ctbBacke Hans-Joachimctbhttps://id.loc.gov/vocabulary/relators/ctbBecker Romainctbhttps://id.loc.gov/vocabulary/relators/ctbBock Anke Mariectbhttps://id.loc.gov/vocabulary/relators/ctbBurton Jessicactbhttps://id.loc.gov/vocabulary/relators/ctbEggert Barbara Margarethectbhttps://id.loc.gov/vocabulary/relators/ctbGibson Melctbhttps://id.loc.gov/vocabulary/relators/ctbGlötter Lauractbhttps://id.loc.gov/vocabulary/relators/ctbHibbett Markctbhttps://id.loc.gov/vocabulary/relators/ctbJenkins Henryctbhttps://id.loc.gov/vocabulary/relators/ctbLehnerer Cathérinectbhttps://id.loc.gov/vocabulary/relators/ctbOssa Vanessactbhttps://id.loc.gov/vocabulary/relators/ctbOssa Vanessaedthttp://id.loc.gov/vocabulary/relators/edtPizzino Christopherctbhttps://id.loc.gov/vocabulary/relators/ctbSchneider Greicectbhttps://id.loc.gov/vocabulary/relators/ctbShah Ashumictbhttps://id.loc.gov/vocabulary/relators/ctbSmith Matthew J.ctbhttps://id.loc.gov/vocabulary/relators/ctbThon Jan-Noëlctbhttps://id.loc.gov/vocabulary/relators/ctbThon Jan-Noëledthttp://id.loc.gov/vocabulary/relators/edtWilde Lukas R. A.ctbhttps://id.loc.gov/vocabulary/relators/ctbWilde Lukas R. A.edthttp://id.loc.gov/vocabulary/relators/edtDE-B1597DE-B1597BOOK996496563403316Comics and Agency2967048UNISA