01222nlm 22003013 450 99648747190331620220922111612.0978-3-11-242254-020220406d2021---- uy 0gerDEy 00 ydrcnuErinnerungen Ans Exil - Kritische Lektüre der Autobiographien Nach 1933 und Andere ThemenEdited by Thomas KoebnerBerlin/BostonWalter de Gruyter2021Testo elettronico (PDF) (420 p.)Exilforschung2Base dati testualeL'annuario interdisciplinare è dedicato alla ricerca delle condizioni, delle manifestazioni e delle riflessioni culturali dell'esilio. Il tema centrale della fuga e dell'esilio come risultato della dittatura nazionalsocialista è combinato con la ricerca su altri esiliati, compresi quelli attuali.ExilforschungEsilioBNCFKOEBNER,ThomasITcbaREICATREICAT996487471903316EBERErinnerungen Ans Exil - Kritische Lektüre der Autobiographien Nach 1933 und Andere Themen2909924UNISA03258nam 22006135 450 991085539020332120240429124850.0978303149899210.1007/978-3-031-49899-2(CKB)31801391900041(MiAaPQ)EBC31311061(Au-PeEL)EBL31311061(DE-He213)978-3-031-49899-2(MiAaPQ)EBC31574217(Au-PeEL)EBL31574217(EXLCZ)993180139190004120240429d2024 u| 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierThe Economics of the Popular Music Industry Modelling from Microeconomic Theory and Industrial Organization /by Christie Byun2nd ed. 2024.Cham :Springer Nature Switzerland :Imprint: Palgrave Macmillan,2024.1 online resource (251 pages)9783031498985 Includes bibliographical references and index.1. Introduction -- 2. Consuming Music -- 3. Basic Producer Theory -- 4. The Music Industry Disrupted: The COVID Era -- 5. The Global Marketplace for Music -- 6. Conclusion.This book uses economic theory to explain how consumers and producers have responded to major changes in the music industry. Byun examines the important role of technology in changing its structure, particularly as new methods of creating and accessing music prove to be a double-edged sword for creators and producers. This second edition includes new information about concert attendance and live performance in the COVID era and what followed, as well as the resultant economic impacts on the industry. Throughout the book, Byun questions how the business of music affects creativity and the extent to which this impacts the creative output of the individual artist. Chapters also address copyright enforcement and online piracy. This is an approachable resource for economists interested in the music industry as well as business and music majors studying the ways in which technology can impact a creative process. Christie Byun is Associate Professor of Economics at Wabash College in the USA. She teaches courses on statistics, econometrics, entrepreneurship, environmental economics, and the fashion industry. Byun has done extensive research on the changes in the music industry using applied economic theory.MicroeconomicsEconomic historyIndustrial organizationMusic theoryMicroeconomicsEconomic HistoryIndustrial OrganizationTheory of MusicMicroeconomics.Economic history.Industrial organization.Music theory.Microeconomics.Economic History.Industrial Organization.Theory of Music.338.4778Byun Chong Hyun Christie1791946MiAaPQMiAaPQMiAaPQ9910855390203321The Economics of the Popular Music Industry4329747UNINA