03694nam 2200709 450 991045631190332120200520144314.01-281-99639-497866119963901-4426-7946-810.3138/9781442679467(CKB)2430000000001834(EBL)3255115(SSID)ssj0000308627(PQKBManifestationID)11244377(PQKBTitleCode)TC0000308627(PQKBWorkID)10258284(PQKB)11529357(CaBNvSL)thg00600918 (MiAaPQ)EBC3255115(MiAaPQ)EBC4671920(DE-B1597)464835(OCoLC)1013944191(OCoLC)944177445(DE-B1597)9781442679467(Au-PeEL)EBL4671920(CaPaEBR)ebr11257608(CaONFJC)MIL199639(OCoLC)958515870(EXLCZ)99243000000000183420160922e20042002 uy 0engur|n|---|||||txtccrRomanticism and the materiality of nature /Onno OerlemansToronto, [Ontario] ;Buffalo, [New York] ;London, [England] :University of Toronto Press,2004.©20021 online resource (262 p.)HeritageDescription based upon print version of record.0-8020-8697-7 Includes bibliographical references and index.Frontmatter -- Contents -- ACKNOWLEDGMENTS -- Introduction: Romanticism, Environmentalism, and the Material Sublime -- I. The End of the World: Wordsworth, Nature, Elegy -- II. The Meanest Thing That Feels: Anthropomorphizing Animals in Romanticism -- III. Shelley's Ideal Body: Vegetarianism, Revolution, and Nature -- IV. Romanticism and the Metaphysics of Classification -- V. Moving through the Environment: Travel and Romanticism -- Conclusion -- NOTES -- BIBLIOGRAPHY -- INDEXGiven current environmental concerns, it is not surprising to find literary critics and theorists surveying the Romantic poets with ecological hindsight. In this timely study, Onno Oerlemans extends these current eco-critical views by synthesizing a range of viewpoints from the Romantic period. He explores not only the ideas of poets and artists, but also those of philosophers, scientists, and explorers.Oerlemans grounds his discussion in the works of specific Romantic authors, especially Wordsworth and Shelley, but also draws liberally on such fields as literary criticism, the philosophy of science, travel literature, environmentalist policy, art history, biology, geology, and genetics, creating a fertile mix of historical analysis, cultural commentary, and close reading. Through this, we discover that the Romantics understood how they perceived the physical world, and how they distorted and abused it. Oerlemans's wide-ranging study adds much to our understanding of Romantic-period thinkers and their relationship to the natural world.RomanticismGreat BritainEnglish literature19th centuryHistory and criticismNature in literatureElectronic books.RomanticismEnglish literatureHistory and criticism.Nature in literature.820.9/145Oerlemans Onno1961-907035MiAaPQMiAaPQMiAaPQBOOK9910456311903321Romanticism and the materiality of nature2028897UNINA06667nam 22006735 450 99648715950331620231110221257.03-11-075446-010.1515/9783110754469(CKB)5860000000070418(DE-B1597)585302(DE-B1597)9783110754469(MiAaPQ)EBC7076319(Au-PeEL)EBL7076319(OCoLC)1341997481(NjHacI)995860000000070418(EXLCZ)99586000000007041820220830h20222022 fg engur|||||||||||txtrdacontentcrdamediacrrdacarrierPhotographing Central Asia From the Periphery of the Russian Empire to Global Presence /ed. by Svetlana Gorshenina, Sergei Abashin, Bruno De Cordier, Tatiana SaburovaBerlin ;Boston : De Gruyter, [2022]©20221 online resource (VIII, 431 p.)Welten Süd- und Zentralasiens / Worlds of South and Inner Asia / Mondes de l'Asie du Sud et de l'Asie Centrale : Im Auftrag der Schweizerischen Asiengesellschaft / On behalf of the Swiss Asia Society / Au nom de la Société Suisse-Asie ,1661-755X ;133-11-075442-8 Frontmatter -- Acknowledgements -- Contents -- Note on transliteration -- 1 Introduction: “On the margins of the marginal” – Why are there so few specialists in Central Asian photography of the imperial and early Soviet period? -- Part I: Photography and orientalisms -- 2 Picturing the Other, mapping the Self: Charles-Eugène de Ujfalvy’s anthropological and ethnographic photography in Russian Turkestan (1876–1881) -- 3 Picturing “Russia’s Orient”: The peoples of Russian Turkestan through the lens of Samuil M. Dudin (1900–1902) -- 4 The photographic legacy of Alexander N. Samoilovich (1880–1938) -- 5 Hungarian orientalism as seen through the photographs of György Almásy’s second expedition to the Kazakh and Kyrgyz territories in 1906 -- 6 From Siberia to Turkestan: Semirechie in writings and photographs of Vasilii V. Sapozhnikov -- 7 “Another Turkestan” of senator Konstantin von der Pahlen (1908–1909) and engineer Nikolai M. Shchapov (1911–1913) -- Part II: Using and reusing photographs -- 8 Pre-revolutionary postcards with views of Turkestan -- 9 The Aralsk and Kazalinsk regions in early twentieth-century postcard photography: How does it reflect the social history and modern transformation of the Aral Sea backwater? -- 10 Max Penson: The rise of a Soviet photographer from the margins -- 11 The expeditions of the Academy for the History of Material Culture to Central Asia in the 1920s and 1930s: An examination of its well-known and unknown photographic collections -- 12 “Ethnographic types” in the photographs of Turkestan: Orientalism, nationalisms and the functioning of historical memory on Facebook pages (2017–2019) -- 13 Afterword: Unmarginalising Central Asian Photography -- List of figures and tables -- Geographic index -- Index nominum -- Index rerumThis volume addresses new theoretical approaches in visual and memory studies that prompted to rethink of the photography of Russian Turkestan of the nineteenth and early twentieth centuries. Attempts to relate the visual unknown documentations to postcolonial criticism also opened up new interpretive arenas, helping to decentralize the analysis of the history of photography. The aim of this volume is to interpret photography as a specific tool that reifies reality, subjectively frames it, and fits it into various political, ideological, commercial, scientific, and artistic contexts. Without reducing the entire argument to the binary of ‘photography and power’, the authors reveal the different modes of seeing that involve distinct cultural norms, social practices, power relations, levels of technology, and networks for circulating photography, and that determined the manner of its (re)use in constructing various images of Central Asia. The volume demonstrates that photography was the cornerstone of imperial media governance and discourse construction in colonial Turkestan of the tsarist and early Soviet periods. The various cases show the complex mechanisms by which images of Turkestan were created, remembered, or forgotten from the nineteenth until the twenty-first century. The book should appeal to scholars of the Russian Empire and Central Asia; of history of photography and visual culture; of memory studies. It should be appropriate for use in upper-level undergraduate courses, and even a broader public.Welten Süd- und Zentralasiens / Worlds of South and Inner Asia / Mondes de l'Asie du Sud et de l'Asie Centrale Documentary photographyDocumentary photography.779.9958Abashin Sergei, ctbhttps://id.loc.gov/vocabulary/relators/ctbAbashin Sergei, edthttp://id.loc.gov/vocabulary/relators/edtCordier Bruno De, edthttp://id.loc.gov/vocabulary/relators/edtDe Cordier Bruno, ctbhttps://id.loc.gov/vocabulary/relators/ctbElias Laura, ctbhttps://id.loc.gov/vocabulary/relators/ctbGorshenina Svetlana, ctbhttps://id.loc.gov/vocabulary/relators/ctbGorshenina Svetlana, edthttp://id.loc.gov/vocabulary/relators/edtHolzberger Helena, ctbhttps://id.loc.gov/vocabulary/relators/ctbIkhsanov Anton, ctbhttps://id.loc.gov/vocabulary/relators/ctbKotiukova Tatiana, ctbhttps://id.loc.gov/vocabulary/relators/ctbLazarevskaia Natalia, ctbhttps://id.loc.gov/vocabulary/relators/ctbLóránd Eötvös, ctbhttps://id.loc.gov/vocabulary/relators/ctbMedvedeva Maria, ctbhttps://id.loc.gov/vocabulary/relators/ctbMontety Felix de, ctbhttps://id.loc.gov/vocabulary/relators/ctbMozokhina Natalia А., ctbhttps://id.loc.gov/vocabulary/relators/ctbSaburova Tatiana, ctbhttps://id.loc.gov/vocabulary/relators/ctbSaburova Tatiana, edthttp://id.loc.gov/vocabulary/relators/edtSántha István, ctbhttps://id.loc.gov/vocabulary/relators/ctbDE-B1597DE-B1597BOOK996487159503316Photographing Central Asia2910052UNISA