00838nam a2200157Ia 4500991004278635707536230523s9999||||xx |||||||||||||| ||und||Magistrale, Francesco187922Notariato e documentazione in Terra di Bari :ricerche su forme, rogatari, credibilitaÌ€ dei documenti latini nei secoli 9.-11. /Francesco MagistraleBari :Grafica Bigiemme,1984SocietaÌ€ di Storia Patria per la Puglia. Documenti e monografie ;48Atti notariliBariSec. 9.-11LE001 ICR 123LE001N-186772023/04/26LE001 B.C. 001, 26/04/2023 - Donazione Istituto Centrale per il Restauro. Valore complessivo stimato 1905,00LE00115.00VM1no loan991004278635707536Notariato e documentazione in Terra di Bari304869UNISALENTO06444nam 2200565 450 99646526090331620220806192452.090-485-5256-710.1515/9789048552566(UkCbUP)CR9789048552566(DE-B1597)611916(DE-B1597)9789048552566(MiAaPQ)EBC6803553(oapen)https://directory.doabooks.org/handle/20.500.12854/79261(ScCtBLL)6e3b0abe-7652-4263-be20-d57d7071ca32(EXLCZ)991941060750004120220806d2021 uy 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierThe post-screen through virtual reality, holograms and light projections where screen boundaries lie /Jenna NgAmsterdam University Press2021Amsterdam :Amsterdam University Press,[2021]©20211 online resource (281 pages) digital, PDF file(s)MediaMattersTitle from publisher's bibliographic system (viewed on 16 Dec 2021).Inclou índexCover -- Table of Contents -- Acknowledgements -- Introduction -- Post-Screen Media: Meshing the Chain Mail -- Eroding Boundaries in the Contemporary Mediascape -- Why Boundaries Matter -- Chapter Outlines -- The Post-what? -- 1. Screen Boundaries as Movement -- Re-placing the Screen: Play and Display, Appearance and ­Dis-­appearance -- Screen Boundaries: Physical and Virtual, and of the Movement Betwixt -- Metaphors for the Screen -- Crossing Screen Boundaries: Love, Pleasure, Information, Transformation -- Interactivity and the Moveable Window -- Screen Boundaries Across Dimensions -- 2. Leaking at the Edges -- Protections and Partitions -- Rupturing Screen Boundaries -- Interplay between Fictional and Factual Threat -- Leaking at the Edges: The Merging of the Amalgamated Real -- Virtual Co-location in Real-time… and in the Era of Covid-19 -- The Screen Boundary Against the Algorithm -- Screen Boundaries in Flux -- 3. Virtual Reality: Confinement and Engulfment -- Replacement and ­Re-placement -- "Multitudes of Amys" -- On Immersion (Briefly) -- The Affective Surround: The Two Vectors of Immersion -- The Post-Screen Through VR (1): Confinement and Engulfment -- The Post-Screen Through VR (2): Replacement and Re-placement -- The Danger Paradox -- VR as Immersion: Travel, Escape, Fulfilment -- VR as Inversion: Witness, Empathy, Subjectivity -- Defeated by the Ghosts -- 4. Holograms/Holographic Projections : Ghosts Amongst the Living -- Ghosts of the Living -- How We See Ghosts, or, In Love with the Post-Screen -- Ghosts in the Media: Re-inventing the Afterlife -- The Post-Screen Through Holograms/Holographic Projections -- Holographic Projections (1): Ghosts Amongst the Living - Limbo Between Deadness and Aliveness -- Holographic Projections (2): Ghosts of the Living - Vivification of the Virtual Real.A Funny Thing Happened on the Way to Substitution -- 4A. (Remix) True Holograms: A Different Kind of Screen -- A Different Kind of Ghost -- Screens and Ghosts, or, the Window and the Guy in the Basement -- True Holograms -- A Different Kind of Screen: Brains, Nerves, Thought -- A Different Kind of Ghost: "A Memory, A Daydream, A Secret," or, Digital Apparitions -- 5. Light Projections: On the Matter of Light and the Lightness of Matter -- The City Rises -- The Light Rises, or, Light as the Matter of Light -- Cities of Screens -- Light Projections (1): Light that Dissolves and Constructs… and of Latency -- Light Projections (2): Walls that Fall Apart… and Re-Form -- Light Projections (3): Particles that Gain a Body… and Transform -- Projection Mapping (1): The Image that Devours Structure -- the Voracity that is a Media History -- Projection Mapping (2): The Exterior that Reveals -- the Permanence that Fades -- The Ground Beneath Our Feet -- Conclusion/Coda -- Postscripts to the Post-Screen: The Holiday and the Global Pandemic -- Twin Obsessions (1): Difference -- Twin Obsessions (2): The Gluttony -- The Post-Screen in the Time of Covid-19 -- Index -- Backcover.Screens are ubiquitous today. They display information; present image worlds; are portable; connect to mobile networks; mesmerize. However, contemporary screen media also seek to eliminate the presence of the screen and the visibilities of its boundaries. As what is image becomes increasingly indistinguishable against the viewer's actual surroundings, this unsettling prompts re-examination about not only what is the screen, but also how the screen demarcates and what it stands for in relation to our understanding of our realities in, outside and against images. Through case studies drawn from three media technologies - Virtual Reality; holograms; and light projections - this book develops new theories of the surfaces on and spaces in which images are displayed today, interrogating critical lines between art and life; virtuality and actuality; truth and lies. What we have today is not just the contestation of the real against illusion or the unreal, but the disappearance itself of difference and a gluttony of the unreal which both connect up to current politics of distorted truth values and corrupted terms of information. <i>The Post-Screen through Virtual Reality, Holograms and Light Projections: Where Screen Boundaries Lie</i> is thus about not only where the image's borders and demarcations are established, but also the screen boundary as the instrumentation of today's intense virtualizations that do not tell the truth. In all this, a new imagination for images emerges, with a new space for cultures of presence and absence, definitions of object and representation, and understandings of dis- and re-placement - the post-screen.MediaMatters.Visual communicationScreensvirtual reality (VR)Pepper's Ghosthologramsprojection mappingVisual communication.302.23Ng Jenna1208574MiAaPQMiAaPQMiAaPQBOOK996465260903316The post-screen through virtual reality, holograms and light projections2788194UNISA02387nam 2200445 450 991082856300332120201020115431.00-8195-7933-5(CKB)4100000011323757(MiAaPQ)EBC6237923(EXLCZ)99410000001132375720201020d2020 uy 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierThe Grand Union accidental anarchists of downtown dance, 1970-1976 /Wendy PerronMiddletown, Connecticut :Wesleyan University Press,[2020]©20201 online resource (379 pages)0-8195-7932-7 Includes bibliographical references and index.Anna Halprin, John Cage, and Judson Dance Theater -- Only in SoHo -- How Continuous project--altered daily broke open and made space for a Grand Union -- A shared sensibility -- Barbara Dilley -- Douglas Dunn -- David Gordon -- Steve Paxton -- Trisha Brown -- Nancy Lewis -- Yvonne Rainer -- Lincoln Scott and Becky Arnold -- First Walker Art Center residency, May 1971 -- Oberlin College residency, January 1972 -- The Dance Gallery Festival, Spring 1973 -- First LoGiudice video, May 1972 -- Third LoGiudice video, May 1972 -- Fourth LoGiudice video : from darkness to light -- Gender play and Iowa City, March 1974 -- Second Walker Art Center residency, October 1975 -- Public/private, real/not real -- Getting into the act : artists, children, dogs, critics, and hecklers -- Grand Union as laboratory -- The unraveling, or, as the top wobbles -- Epilogue and three lingering moments."An exploration of the imaginative, improvisatory performance group that captivated young audiences in the period 1970-76"--Provided by publisher.Dance companiesUnited StatesHistoryImprovisation in danceUnited StatesHistoryModern danceUnited StatesHistoryDance companiesHistory.Improvisation in danceHistory.Modern danceHistory.792.80973Perron Wendy1654414MiAaPQMiAaPQMiAaPQBOOK9910828563003321The Grand Union4006230UNINA