05074nam 22007455 450 99645354420331620231110231014.03-11-075766-410.1515/9783110757668(CKB)5600000000426376(DE-B1597)589177(DE-B1597)9783110757668(MiAaPQ)EBC7015411(Au-PeEL)EBL7015411(OCoLC)1334105137(oapen)https://directory.doabooks.org/handle/20.500.12854/77248(OCoLC)1291507276(EXLCZ)99560000000042637620220110h20212022 fg engur|||||||||||txtrdacontentcrdamediacrrdacarrierRhapsodic Objects Art, Agency, and Materiality (1700-2000) /ed. by Noemie Etienne, Yaelle BiroBerlin/BostonDe Gruyter2021Berlin ;Boston : De Gruyter, [2021]©20221 online resource (236 p.)Contact Zones : Studies in Global Art ,2196-3746 ;73-11-065664-7 Frontmatter -- Content -- Introduction -- Part 1: Interlaced Patterns -- Wandering Designs -- The Art of Printed Textiles -- Chintzes as Printed Matter and Their Entanglement within the Transatlantic Slave Trade around 1800 -- Part 2: Embedded Relationships -- Interpretations of Central African Taste in European Trade Cloth of the 1890s -- The Picturesque in Peking -- Cultural Intersections and Identity in Algeria on the Eve of the French Invasion -- Part 3: Crafted Identities -- "What Is Colonial Art? And How Can It Be Modern?" -- Crafting Colonial Power -- A World of Knowledge -- Frida Kahlo's Circulating Crafts -- Authors -- Picture CreditsCirculation and imitation are key factors in shaping the material world. The authors in this volume explore how technical knowledge, immaterial desires, and political agendas impact the production and consumption of visual and material culture across times and places. Their essays map multidirectional transactions for cultural goods in which source countries can be positioned at the center. Rhapsodic - literally to stitch or weave songs - paired with objects - from thrown against - intertwines complexity and action. Rhapsodic objects thus beckons to the layered narratives of the objects themselves, their making, and their reception over time. The concept further underlines their potential to express creativity, generate emotion, and reveal histories - often tainted with violence.Zirkulation und Nachahmung haben einen wesentlichen Einfluss auf die Gestaltung der materiellen Welt. Die Beiträge des Bandes untersuchen, wie technisches Wissen, immaterielle Wünsche und politische Agenden die Produktion und Rezeption der visuellen und materiellen Kultur im Wandel der Zeit und Orte prägten. Sie gehen den Wanderungen von Kulturgütern unter besonderer Berücksichtigung ihrer Entstehungskontexte nach. Mit dem Begriff des "rhapsodischen Objektes" werden dabei die vielschichtigen, nicht immer in einem Zusammenhang stehenden Erzählungen der Objekte angesprochen.Contact Zones ART / Techniques / GeneralbisacshObjects.arts and crafts.cultural transfer.textile.ART / Techniques / General.701.03Etienne Noemieedt1303684Armstrong Dorothy, ctbhttps://id.loc.gov/vocabulary/relators/ctbBiro Yaelle, edthttp://id.loc.gov/vocabulary/relators/edtBiro Yaëlle, ctbhttps://id.loc.gov/vocabulary/relators/ctbEtienne Noemie, edthttp://id.loc.gov/vocabulary/relators/edtGlaister Helen, ctbhttps://id.loc.gov/vocabulary/relators/ctbGreen James, ctbhttps://id.loc.gov/vocabulary/relators/ctbGril-Mariotte Aziza, ctbhttps://id.loc.gov/vocabulary/relators/ctbGrillot Thomas, ctbhttps://id.loc.gov/vocabulary/relators/ctbLabrusse Rémi, ctbhttps://id.loc.gov/vocabulary/relators/ctbLee Chonja, ctbhttps://id.loc.gov/vocabulary/relators/ctbLevin Gail, ctbhttps://id.loc.gov/vocabulary/relators/ctbMiller Ashley V., ctbhttps://id.loc.gov/vocabulary/relators/ctbRovine Victoria L., ctbhttps://id.loc.gov/vocabulary/relators/ctbSaou-Dufrêne Bernadette Nadia, ctbhttps://id.loc.gov/vocabulary/relators/ctbÉtienne Noémie, ctbhttps://id.loc.gov/vocabulary/relators/ctbSchweizerischer Nationalfonds (SNF)fndhttp://id.loc.gov/vocabulary/relators/fndDE-B1597DE-B1597BOOK996453544203316Rhapsodic Objects3561235UNISA