01043nam0-22003491i-450-99000051689040332120070903164819.00-7923-9265-5000051689FED01000051689(Aleph)000051689FED0100005168920020821d1993----km-y0itay50------baenga-------001yySpace roboticsdynamics and controledited by Yangsheng Xu, Takeo KanadeBoston ; Dordrecht ; LondonKluwer Academicc1993284 p.ill.24 cm<<The >>Kluver international series in engineering and computer scienceSECS 188AutomazioneStazioni spazialiRobotica629.47Kanade,Takeo27531Xu,Yangsheng27560ITUNINARICAUNIMARCBK99000051689040332110 D III 6292651 DISDINELDINELSpace robotics330844UNINA01891nlm 22003252 450 99645035300331620220107141244.0978051120894220141103d2004---- uy| 0engUSdrcnuComparing media systemsthree models of media and politicsDaniel C. Hallin, Paolo ManciniCambridgeCambridge University Press2004Testo elettronico (PDF) (XV, 342 p.)Communication, society and politicsBase dati testualeBasandosi su un'indagine sulle istituzioni dei media in diciotto democrazie dell'Europa occidentale e nordamericana, Hallin e Mancini identificano le principali dimensioni di variazione nei sistemi dei media e le variabili politiche che ne hanno plasmato l'evoluzione. Proseguono identificando tre principali modelli di sviluppo del sistema dei media (i modelli polarizzati pluralista, corporativo democratico e liberale) per spiegare perché i media hanno svolto un ruolo diverso nella politica in ciascuno di questi sistemi e per esplorare le forze del cambiamento che sono attualmente trasformandoli. Fornisce una dichiarazione teorica chiave sulla relazione tra media e sistemi politici, una dichiarazione chiave sulla metodologia dell'analisi comparativa nella comunicazione politica e una chiara panoramica della varietà di istituzioni dei media che si sono sviluppate in Occidente, comprese nella loro contestoCommunication, society and politics.Comunicazioni di massaPoliticaBNCF302.23HALLIN,Daniel C.283099MANCINI,PaolocbaITcbaREICATcbaITcbaREICAT996450353003316EBERComparing media systems2408291UNISA04374nam 2200721 450 991013642180332120200520144314.01-4443-3665-71-119-21267-71-119-21266-9(CKB)3710000000610610(EBL)4451515(SSID)ssj0001628274(PQKBManifestationID)16197940(PQKBTitleCode)TC0001628274(PQKBWorkID)14820573(PQKB)11240532(PQKBManifestationID)16370616(PQKB)23144117(DLC) 2015042365(Au-PeEL)EBL4451515(CaPaEBR)ebr11174075(CaONFJC)MIL902583(CaSebORM)9781444336641(MiAaPQ)EBC4451515(OCoLC)928136919(EXLCZ)99371000000061061020151014d2016 uy| 0engur|n|---|||||txtccrBiennials, triennials, and documenta the exhibitions that created contemporary art /Charles Green and Anthony Gardner1Chichester, West Sussex, United Kingdom :John Blackwell,2016.1 online resource (280 p.)Description based upon print version of record.1-119-21263-4 1-4443-3664-9 Includes bibliographical references and index.Frontispiece; Title Page; Copyright; Preface; Introduction; Why Biennials?; Part 1. The Second Wave; Part 2. The Politics of Legitimacy; Part 3. Hegemony or a New Canon; The Cultural Geography of Biennials; Notes; Part 1: The Second Wave; 1: 1972: The Rise of the Star-Curator; Introduction; Preparation for a Walk-Through Event Structure; "Therapy Has Changed and No Longer Encourages Copious Art Production"; "The Most Important Exhibition of Recent Years"; Conclusion; Notes; 2: 1979: Cultural Translation, Cultural Exclusion, and the Second WaveIntroduction: Biennials as Models for Cultural EncountersFounding the Sydney Biennale; White Elephant or Red Herring? Selecting the 1979 Biennale of Sydney; Import/Export: Sydney and São Paulo; Conclusion; Notes; 3: 1986: The South and the Edges of the Global; Introduction: Origin Stories; A Brief History of Southern Biennials; The Second Bienal de La Habana; Conclusion: The Stakes of Southern Histories; Notes; Part 2: The Politics of Legitimacy; 4: 1989: Asian Biennialization; Introduction; Experimental Versus Traditional Art: "Traditions/Tensions"; Conclusion; Notes5: 1997: Biennials, Migration, and ItinerancyIntroduction; Manifesta and Critical Regionalism; Locality Fails: The 2nd Johannesburg Biennale; By Way of Conclusion: The Emergency Biennale in Chechnya; Notes; Part 3: Hegemony or a New Canon; 6: 2002: Cosmopolitanism; Introduction; The Five-Year Subaltern Plan; Black Box, White Cube; Conclusion; Notes; 7: 2003: Delegating Authority; Introduction; Tirana: "Opening Up the Conversation"; Escape; Curating by Delegation: The 50th Venice Biennale: The Dictatorship of the Viewer; "Counterbalance the Decadence of the Ancient City""Outmoded Structure of National Pavilions and Theme Exhibitions"Conclusion; Notes; 8: 2014: Global Art Circuits; Introduction; The Game of Comparison and Competition; Negotiated Inequality; Contemporary Play Time; Coda: 2014; Notes; 9: Conclusion; Notes; Index; EULA"Provides a comprehensive global history of biennialization from the rise of the European star-curator in the 1970s and the emergence of mega-exhibitions in Asia in the 1990s to the current globalization of biennials"--Provided by publisher.Art and globalizationHistory20th centuryArt and globalizationHistory21st centuryBiennialsHistoryArt and globalizationHistoryArt and globalizationHistoryBiennialsHistory.701/.0309048BUS100000bisacshGreen Charles1953-911426Gardner Anthony1976-MiAaPQMiAaPQMiAaPQBOOK9910136421803321Biennials, triennials, and documenta2041127UNINA