02646nam 2200493 450 99644584600331620221124005642.03-8394-5823-49783839458235(CKB)5180000000022017(transcript Verlag)9783839458235(MiAaPQ)EBC6956359(Au-PeEL)EBL6956359(DE-B1597)582826(DE-B1597)9783839458235(EXLCZ)99518000000002201720221124d2021 uy 0engurnnunnnannuutxtrdacontentcrdamediacrrdacarrierWhat will be already exists temporalities of Cold War archives in East-Central Europe and beyond /edited by Emese Kürti, Zsuzsa László1st ed.Bielefeld, Germany :transcript Verlag,[2021]1 online resource (198 p.)1391 MB 12 SW-Abbildungen, 26 FarbabbildungenImage2003-8376-5823-6 Cover -- Contents -- Acknowledgments -- Introduction -- Collecting the Future -- "Destroy, She Said" -- Active Gaps and Absences in Artist Archives -- The New Sectarianism -- Self-Historicization -- Collaborative Actions, Continued Omissions -- Expansive Underground -- The Alternative Official? -- The Life and Afterlife of the Archive -- artpool.hu: a user's guide -- Biographies.How do artist archives survive and stay authentic in radically changed contexts? The volume addresses the challenge of continuity, sustainability, and institutionalization of archives established by Eastern European artists. At its center stands the 40th anniversary of the Artpool Art Research Center founded in 1979 in Budapest as an underground institution based on György Galántai's »Active Archive« concept. Ten internationally renowned scholars propose contemporary interpretations of this concept and frame artist archives not as mere sources of art history but as models of self-historicization. The contributions give knowledgeable insights into the transition of Cold War art networks and institutional landscapes.ImageArt archivesArt archives.700.411László Zsuzsa1980-Kürti EmeseCOST (European Cooperation in Science & Technology)fndhttp://id.loc.gov/vocabulary/relators/fndMiAaPQMiAaPQMiAaPQBOOK996445846003316What Will Be Already Exists2780199UNISA