05031oam 22007934a 450 99643304600331620230807183056.090-485-5129-390-485-3217-510.1515/9789048532179(CKB)3840000000350266(MiAaPQ)EBC5231730(DE-B1597)502604(OCoLC)1021808088(DE-B1597)9789048532179(OCoLC)1281933175(MdBmJHUP)musev2_66309(ScCtBLL)cc93fd06-3d6b-4b1c-866e-018a05e8a386(oapen)https://directory.doabooks.org/handle/20.500.12854/37272(EXLCZ)99384000000035026620170325h20182018 uy 0engurcnu||||||||rdacontentrdamediardacarrierMedieval Saints and Modern ScreensAlicia Spencer-HallAmsterdamAmsterdam University Press2017Amsterdam :Amsterdam University Press,[2018]©[2018]1 online resource (305 pages) illustrations, tablesKnowledge communities ;3Revision of author's thesis (dissertation)-- University College London, 2010-2014.94-6298-227-9 Filmography, pages 289-291.Includes bibliographical references (pages 259-291) and index.Frontmatter --Table Of Contents --Acknowledgments --Introduction: Ecstatic Cinema, Cinematic Ecstasy --1.Play / Pause / Rewind: Temporalities In Flux --2.The Caress Of The Divine --3.The Xtian Factor, Or How To Manufacture A Medieval Saint --4.My Avatar, My Soul: When Mystics Log On --Conclusion: The Living Veronicas Of Liège --Abbreviations --Bibliography --Index"This ground-breaking book brings theoretical perspectives from twenty-first century media, film, and cultural studies to medieval hagiography. Medieval Saints and Modern Screens stakes the claim for a provocative new methodological intervention: consideration of hagiography as media. More precisely, hagiography is most productively understood as cinematic media. Medieval mystical episodes are made intelligible to modern audiences through reference to the filmic - the language, form, and lived experience of cinema. Similarly, reference to the realm of the mystical affords a means to express the disconcerting physical and emotional effects of watching cinema. Moreover, cinematic spectatorship affords, at times, a (more or less) secular experience of visionary transcendence: an 'agape-ic encounter'. The medieval saint's visions of God are but one pole of a spectrum of visual experience which extends into our present multi-media moment. We too conjure godly visions: on our smartphones, on the silver screen, and on our TVs and laptops. This book places contemporary pop-culture media - such as blockbuster movie The Dark Knight, Kim Kardashian West's social media feeds, and the outputs of online role-players in Second Life - in dialogue with a corpus of thirteenth-century Latin biographies, 'Holy Women of Liege'. In these texts, holy women see God, and see God often. Their experiences fundamentally orient their life, and offer the women new routes to knowledge, agency, and belonging. For the holy visionaries of Liege, as with us modern 'seers', visions are physically intimate, ideologically overloaded spaces. Through theoretically informed close readings, Medieval Saints and Modern Screens reveals the interconnection of decidedly 'old' media - medieval textualities - and artefacts of our 'new media' ecology, which all serve as spaces in which altogether human concerns are brought before the contemporary culture's eyes."--Provided by publisher.Knowledge communities (Amsterdam, Netherlands) ;3.Filmgnd(DE-588)4017102-4Visuelle Wahrnehmunggnd(DE-588)4078921-4Mystikgnd(DE-588)4041003-1Visiongnd(DE-588)4063618-5Heiligenbildgnd(DE-588)4159383-2Motion picturesHistory21st centuryMotion picturesHistory20th centuryHagiographyMiddle Ages in motion picturesSaints in motion picturesHagiography, divine visions, film, Liège, holy women.Film.Visuelle Wahrnehmung.Mystik.Vision.Heiligenbild.Motion picturesHistoryMotion picturesHistoryHagiography.Middle Ages in motion pictures.Saints in motion pictures.791.43/682AP 50300rvkSpencer-Hall Alicia985913MdBmJHUPMdBmJHUPBOOK996433046003316Medieval Saints and Modern Screens2253462UNISA