02104nam 2200421 n 450 99639571770331620221108044917.0(CKB)4330000000321305(EEBO)2248545500(UnM)99832996(UnM)9928510100971(EXLCZ)99433000000032130519951221d1684 uy |engurbn||||a|bb|A choice collection of 120 loyal songs, all of them written since the two late plots, (viz.) the horrid Salamanca Plot in 1678, and the fanatical conspiracy in 1683. Intermixt with some new love songs with a table to find every song to which is added, an anagram, and an accrostick on the Salamanca doctor[electronic resource]London Printed by N.T. at the entrance into the Old Spring Garden near Charing-Cross1684[12], 264 pPreface signed: N. T., i.e. Nathaniel Thompson.With two preliminary contents leaves and a preliminary advertisement leaf.Stained, torn and cropped, with some loss of print.Reproduction of the original in the Bodleian Library.eebo-0014Political ballads and songsEnglandEarly works to 1800Popish Plot, 1678PoetryEarly works to 1800Rye House Plot, 1683PoetryEarly works to 1800Great BritainHistoryStuarts, 1603-1714PoetryEarly works to 1800Political ballads and songsPopish Plot, 1678Rye House Plot, 1683Thompson Nathanield. 1687.1004451Cu-RivESCu-RivESWaOLNBOOK996395717703316A choice collection of 120 loyal songs, all of them written since the two late plots, (viz.) the horrid Salamanca Plot in 1678, and the fanatical conspiracy in 1683. Intermixt with some new love songs with a table to find every song to which is added, an anagram, and an accrostick on the Salamanca doctor2386671UNISA04896nam 2200925 450 991079296720332120170621115446.010.1515/9781785334542(CKB)3710000001386853(MiAaPQ)EBC4677007(DE-B1597)636670(DE-B1597)9781785334542(EXLCZ)99371000000138685320170705h20172017 uy 0engurcnu||||||||rdacontentrdamediardacarrierCollaborative intimacies in music and dance anthropologies of sound and movement /edited by Evangelos Chrysagis and Panas KarampampasNew York ;Oxford, [England] :Berghahn Books,2017.©20171 online resource (272 pages) illustrationsDance and Performance Studies1-78533-453-0 1-78533-454-9 Includes bibliographical references at the end of each chapters and index.Frontmatter -- Contents -- Illustrations and Table -- Preface -- Introduction: Collaborative Intimacies -- PART I Sound, Meaning and Self-Awareness -- Chapter 1 Being in Sound: Reflections on Recording while Practising Aikido and Shakuhachi -- Chapter 2 Performing and Narrating Selves in and through Classical Music: Being ‘Japanese’ and Being a Professional Musician in London -- PART II Pedagogies of Bodily Movement -- Chapter 3 Kinaesthetic Intimacy in a Choreographic Practice -- Chapter 4 The Presentation of Self in Participatory Dance Settings: Data Collecting with Erving Goffman -- PART III Music Practices and Ethical Selfhood -- Chapter 5 The Animador as Ethical Mediator: Stage Talk and Subject Formation at Peruvian Huayno Music Spectacles -- Chapter 6 A Sense of Togetherness: Music Promotion and Ethics in Glasgow -- PART IV Bodies Dancing in Time and across Space -- Chapter 7 Rumba: Heritage, Tourism and the ‘Authentic’ Afro-Cuban Experience Heritage, Tourism and the ‘Authentic’ Afro-Cuban Experience -- Chapter 8 Cinematic Dance as a Local Critical Commentary on the ‘Economic Crisis’ in Greece Exploring Dance in Korydallos, Attica, Greece -- PART V Motion, Irony and the Making of Lifeworlds -- Chapter 9 Performing Irony on the Dance Floor: in the Athenian Goth Scene The Many Faces of Goth Irony in the Athenian Goth Scene -- Chapter 10 The Intoxicating Intimacy of Drum Strokes, Sung Verses and Dancing Steps in the All-Night Ceremonies of Ambonwari (Papua New Guinea) -- IndexAcross spatial, bodily, and ethical domains, music and dance both emerge from and give rise to intimate collaboration. This theoretically rich collection takes an ethnographic approach to understanding the collective dimension of sound and movement in everyday life, drawing on genres and practices in contexts as diverse as Japanese shakuhachi playing, Peruvian huayno, and the Greek goth scene. Highlighting the sheer physicality of the ethnographic encounter, as well as the forms of sociality that gradually emerge between self and other, each contribution demonstrates how dance and music open up pathways and give shape to life trajectories that are neither predetermined nor teleological, but generative.Dance and performance studies.Music and danceMusicSocial aspectsDanceAnthropological aspectsanthropology.artistic.audience.ballet.bands.case studies.cultural attitudes.cultural studies.culture.dance studies.dance.dancers.drama.education.engaging.ethnographic approach.ethnographic writing.greek goth scene.japanese shakuhachi.live entertainment.movement.music.musical philosophy.musicality.musicians.performance studies.performing arts.peruvian huayno.sociology.sound.theater.theatre.theatrical.world music.Music and dance.MusicSocial aspects.DanceAnthropological aspects.306.4/84Chrysagis EvangelosKarampampas PanasMiAaPQMiAaPQMiAaPQBOOK9910792967203321Collaborative intimacies in music and dance3848464UNINA