01504nam 2200385 n 450 99639282930331620200824121852.0(CKB)4940000000112898(EEBO)2240943227(UnM)99873180e(UnM)99873180(EXLCZ)99494000000011289819850430d1644 uy |engurbn||||a|bb|Divine cordials[electronic resource] delivered in ten sermons, upon part of the ninth and tenth chapters of Ezra, in a time of visitation. By that godly and faithfull preacher of Gods Word, Iosiah Shute, B.D. and late rector of Mary Woolnoths in Lumbard-Street London. Published by authorityLondon Printed for Robert Bostock, dwelling in Pauls Church-yard, at the sign of the Kings head1644[8], 179, [1] pEditor's preface signed: William Reynoldes.With a preliminary imprimatur leaf.Annotation on Thomason copy: "March 20th 1643".Reproduction of the original in the British Library.eebo-0018Sermons, English17th centuryEarly works to 1800Sermons, EnglishShute Josias1588-1643.1005094Reynoldes William1017764Cu-RivESCu-RivESCStRLINWaOLNBOOK996392829303316Divine cordials2389487UNISA03623 am 22006613u 450 99631844930331620231110213009.03-11-054311-73-11-054308-710.1515/9783110543117(CKB)4100000009940228(OAPEN)1006920(DE-B1597)480881(OCoLC)1135591183(DE-B1597)9783110543087(MiAaPQ)EBC5447338(Au-PeEL)EBL5447338(OCoLC)1136960827(oapen)https://directory.doabooks.org/handle/20.500.12854/32290(EXLCZ)99410000000994022820200406h20192020 fg enguuuuu---auuuutxtrdacontentcrdamediacrrdacarrierDividing Texts Conventions of Visual Text-Organisation in Nepalese and North Indian Manuscripts /Bidur BhattaraiBerlin/BostonDe Gruyter2020Berlin ;Boston : De Gruyter, [2019]©20201 online resource (376) Studies in Manuscript Cultures ;103-11-054307-9 Frontmatter -- Contents -- Preface -- Acknowledgements -- 1. Introduction -- 2. Overall layout and possible reasons for its change in manuscript -- 3. Use of symbols -- 4. Use of space -- 5. Use of colour -- 6. Conclusions -- Appendices -- References -- List of figures -- Index of manuscriptsThe number of manuscripts produced in the Indian sub-continent is astounding and is the result of a massive enterprise that was carried out over a vast geographical area and over a vast stretch of time. Focusing mainly on areas of Northern India and Nepal between 800 to 1300 CE and on manuscripts containing Sanskrit texts, the present study investigates a fundamental and so far rarely studied aspect of manuscript production: visual organisation. Scribes adopted a variety of visual strategies to distinguish one text from another and to differentiate the various sections within a single text (chapters, sub-chapters, etc.). Their repertoire includes the use of space(s) on the folio, the adoption of different writing styles, the inclusion of symbols of various kind, the application of colours ('rubrication'), or a combination of all these. This study includes a description of these various strategies and an analysis of their different implementations across the selected geographical areas. It sheds light on how manuscripts were produced, as well as on some aspects of their employment in ritual contexts, in different areas of India and Nepal.Studies in Manuscript Cultures Regional studiesbicsscAustralasian & Pacific historybicsscNon-Western philosophybicsscPhilosophy: epistemology & theory of knowledgebicsscPhilosophy: aestheticsbicsscCult of the book.Sanskrit.South Asian book history.visual organisation.Regional studiesAustralasian & Pacific historyNon-Western philosophyPhilosophy: epistemology & theory of knowledgePhilosophy: aesthetics091.0954Bhattarai Bidur, authttp://id.loc.gov/vocabulary/relators/aut955190DE-B1597DE-B1597BOOK996318449303316Dividing Texts2160628UNISA