01538nam 2200361 n 450 99639073800331620200818224512.0(CKB)4940000000102212(EEBO)2248575472(UnM)99841483e(UnM)99841483(EXLCZ)99494000000010221219910404d1582 uy |engurbn||||a|bb|Playes confuted in fiue actions[electronic resource] prouing that they are not to be suffred in a Christian common weale, by the waye both the cauils of Thomas Lodge, and the play of playes, written in their defence, and other obiections of players frendes, are truely set downe and directlye aunsweared. By Steph. Gosson, stud. OxonLondon Imprinted for Thomas Gosson dwelling in Pater noster row at the signe of the Sunne[1582][122] pIn part a reply to "Protogenes can know Apelles by his line though he se him not" by Thomas Lodge; "The play of playes" is untraced.Publication date from STC.Signatures: pi¹ ² pi⁴ A-G.eebo-0216TheaterGreat BritainMoral and ethical aspectsEarly works to 1800TheaterMoral and ethical aspectsGosson Stephen1554-1624.1010927Cu-RivESCu-RivESCStRLINWaOLNBOOK996390738003316Playes confuted in fiue actions2353008UNISA03256nam 22006134a 450 99620176940331620170821200932.01-280-93257-097866109325730-470-76375-20-470-77663-31-4051-8217-2(CKB)1000000000399021(EBL)306551(OCoLC)173643335(SSID)ssj0000207013(PQKBManifestationID)11166821(PQKBTitleCode)TC0000207013(PQKBWorkID)10228357(PQKB)10288383(MiAaPQ)EBC306551(PPN)261611321(EXLCZ)99100000000039902120060516d2007 uy 0engur|n|---|||||txtccrMuseums after modernism[electronic resource] strategies of engagement /edited by Griselda Pollock and Joyce ZemansMalden, MA Blackwell20071 online resource (274 p.)New interventions in art historyDescription based upon print version of record.1-4051-3628-6 1-4051-3627-8 Includes bibliographical references (p. [225]-234) and index.Museums After Modernism: Strategies of Engagement; Contents; List of Figures; Notes on Contributors; Series Editor's Preface; Preface; 1 Un-Framing the Modern: Critical Space/Public Possibility; 2 Women's Rembrandt; 3 Museums and the Native Voice; 4 Exhibiting Africa after Modernism: Globalization, Pluralism, and the Persistent Paradigms of Art and Artifact; 5 Mirroring Evil, Evil Mirrored: Timing, Trauma, and Temporary Exhibitions; 6 A Place for Uncertainty: Towards a New Kind of Museum; 7 The Ballad of Kastriot Rexhepi: Notes on Gesture, Medium, and Mediation8 Riksutsta ̈llningar: Swedish Traveling Exhibitions9 Reframing Participation in the Museum: A Syncopated Discussion; 10 ''There Is No Such Thing as a Visitor''; 11 ''Anxious Dust'': History and Repression in the Archives of Mary Kelly; 12 On Discourse as Monument: Institutional Spaces and Feminist Problematics; Bibliography; IndexMuseums After Modernism is a unique collectionthat showcases the ways questions about the museum go to the heart of contemporary debates about the production, consumption and distribution of art. The book features expert artists, curators and art historians who grapple with many of the vibrant issues in museum studies, while paying homage to a new museology that needs to be considered.Examines the key contemporary debates in museum studiesIncludes original essays by noted artists, curators, and art historiansEngages with vital issues in the practice of art-making and artNew interventions in art history.Art museumsPhilosophyArt museumsPhilosophy.069708.001Pollock Griselda679147Zemans Joyce1940-856023MiAaPQMiAaPQMiAaPQBOOK996201769403316Museums after modernism1911233UNISA