00985nam0-2200325---450-99000989759040332120140924094120.0978-0-316-03614-6000989759FED01000989759(Aleph)000989759FED0100098975920140924d2009----km-y0itay50------baengUSa-------001yyConnectedThe Surprising Power of Our Social Networks and How They Shape Our LivesNicholas A. Christakis, James H. FowlerNew YorkLittle, Brown and Company2009XIII, 338 p.8 p. di tav. : ill.25 cmReti sociali302.322itaChristakis,Nicholas A.523743Fowler,James H.523744ITUNINAREICATUNIMARCBK990009897590403321IX A 132752176FSPBCFSPBCConnected829289UNINA02200nam 2200433 n 450 99639038050331620221108102212.0(CKB)4940000000100020(EEBO)2240891355(UnM)9928302600971(UnM)99831209(EXLCZ)99494000000010002019950929d1674 uy |engurbn||||a|bb|Quakerism is paganism, by W.L.'s confession; in a book directed to Mr. N.L. citizen of London: or, Twelve of the Quakers opinions, called by W.L. The twelve pagan principles, or opinions; for which the Quakers are opposed to Christians[electronic resource] examined and presented to William Penn. By W. R. a lover of ChristianityLondon printed for Francis Smith, at the Elephant and Castle in Cornhil near the Royal Exchange1674[2], 14, 17-96 pW. R. = William Russel."Quakerism is popery revived: or, Some of their old opinions put into a new dress, and asserted by the Quakers to be new discoveries of the light within them" has caption title on p. 91.Page 96 consists of "a letter from the baptized-congregation in Reading, concerning William Luddington", signed: Daniel Roberts.Includes appendix.Text and register are continuous despite pagination.Reproduction of the original in the Bodleian Library.eebo-0014Society of FriendsControversial literatureEarly works to 1800QuakersControversial literatureEarly works to 1800Society of FriendsQuakersRussel Williamd. 1702.1007620Roberts Daniel1658-1727.autCu-RivESCu-RivESCStRLINWaOLNBOOK996390380503316Quakerism is paganism, by W.L.'s confession; in a book directed to Mr. N.L. citizen of London: or, Twelve of the Quakers opinions, called by W.L. The twelve pagan principles, or opinions; for which the Quakers are opposed to Christians2405644UNISA04630nam 2200781Ia 450 991096835660332120200520144314.09786612716294978128271629212827162989783110213652311021365610.1515/9783110213652(CKB)2670000000018714(EBL)516547(OCoLC)635954998(SSID)ssj0000399803(PQKBManifestationID)11290909(PQKBTitleCode)TC0000399803(PQKBWorkID)10384694(PQKB)11663662(MiAaPQ)EBC516547(DE-B1597)35899(OCoLC)699717969(DE-B1597)9783110213652(Au-PeEL)EBL516547(CaPaEBR)ebr10381191(CaONFJC)MIL271629(Perlego)652827(EXLCZ)99267000000001871420100115d2010 uy 0engur|||||||||||txtccrEventfulness in British fiction /by Peter Huhn; with contributions by Markus Kempf, Katrin Kroll and Jette K. Wulf1st ed.New York De Gruyter20101 online resource (221 p.)Narratologia. Contributions to narrative theory ;18Description based upon print version of record.9783110213645 3110213648 Includes bibliographical references. Frontmatter -- Contents -- 1. Introduction -- Late Medieval and Early Modern -- 2. Geoffrey Chaucer: "The Miller's Tale" -- 3. Aphra Behn: Oroonoko, or The Royal Slave: A True History (1688) -- 18th Century -- 4. Daniel Defoe: Moll Flanders (1722) -- 5. Samuel Richardson: Pamela; or, Virtue Rewarded (1740) -- 6. Henry Fielding: The History of Tom Jones, a Foundling (1749) -- Premodern and Modernist -- 7. Charles Dickens: Great Expectations (1861) -- 8. Thomas Hardy: "On the Western Circuit" (1891) -- 9. Henry James: "The Beast in the Jungle" (1903) -- 10. James Joyce: "Grace" (1914) -- 11. Joseph Conrad: The Shadow-Line: A Confession (1917) -- 12. Virginia Woolf: "An Unwritten Novel" (1921) -- 13. D. H. Lawrence: "Fanny and Annie" (1921) -- 14. Katherine Mansfield: "At the Bay" (1922) -- Contemporary -- 15. John Fowles: "The Enigma" (1974) -- 16. Graham Swift: Last Orders (1996) -- 17. ConclusionAn event, defined as the decisive turn, the surprising point in the plot of a narrative, constitutes its tellability, the motivation for reading it. This book describes a framework for a narratological definition of eventfulness and its dependence on the historical, socio-cultural and literary context. A series of fifteen analyses of British novels and tales, from late medieval and early modern times to the late 20th century, demonstrates how this concept can be put into practice for a new, specifically contextual interpretation of the central relevance of these texts. The examples include Chaucer's "Miller's Tale", Behn's "Oroonoko", Defoe's "Moll Flanders", Richardson's "Pamela", Fielding's "Tom Jones", Dickens's "Great Expectations", Hardy's "On the Western Circuit", James's "The Beast in the Jungle", Joyce's "Grace", Conrad's "Shadow-Line", Woolf's "Unwritten Novel", Lawrence's "Fanny and Annie", Mansfield's "At the Bay", Fowles's "Enigma" and Swift's "Last Orders". This selection is focused on the transitional period from 19th-century realism to 20th-century modernism because during these decades traditional concepts of what counts as an event were variously problematized; therefore, these texts provide a particularly interesting field for testing the analytical capacity of the term of eventfulness. NarratologiaEnglish fictionHistory and criticismEnglish fictionStories, plots, etcEvents (Philosophy) in literatureFictionStories, plots, etcNarration (Rhetoric)English fictionHistory and criticism.English fictionEvents (Philosophy) in literature.FictionStories, plots, etc.Narration (Rhetoric)823/.00924HG 680rvkHuhn Peter1939-435274MiAaPQMiAaPQMiAaPQBOOK9910968356603321Eventfulness in British fiction4450943UNINA