01052nam 2200301Ia 450 99638895980331620200824124920.0(CKB)1000000000646556(EEBO)2264208210(OCoLC)ocm8713267e(OCoLC)8713267(EXLCZ)99100000000064655619820823d1675 uy |freurbn||||a|bb|Sermon du Sieur de Luzancy, licentié en théologie[electronic resource] prononcé dans l'Eglise de la Savoye le unzième de juillet, jour de son abjuration, 1675Londres Se vendent chez Moyse Pitt1675[5], 36 pReproduction of original in the Union Theological Seminary Library, New York.eebo-0160De Luzancy H. C(Hippolyte du Chastelet),d. 1713.1001754UMIUMIWaOLNBOOK996388959803316Sermon du Sieur de Luzancy, licentié en théologie2418013UNISA02713nam 22005655 450 991035027790332120230810231248.09789811334535981133453610.1007/978-981-13-3453-5(CKB)4100000007587924(MiAaPQ)EBC5651743(DE-He213)978-981-13-3453-5(EXLCZ)99410000000758792420190128d2019 u| 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierThe Social Life of Sound /by Sophia Maalsen1st ed. 2019.Singapore :Springer Nature Singapore :Imprint: Palgrave Macmillan,2019.1 online resource (273 pages)9789811334528 9811334528 Chapter 1 Entroducing -- Chapter 2 Theories and Methodology -- Chapter 3 Not Just Rare but UBER RARE! Biography, Music, and Personhood in Yaraandoo -- Chapter 4 Sampling Genealogies of Sound -- Chapter 5 Sven Libaek and "Misty Canyon" -- Chapter 6 Reissues: Collecting, Curating, Connoisseurship and Cultural Mass -- Chapter 7 Distributed Personhood and the Multiple Biography -- Chapter 8 Conclusion: Somebodies as Multibiographical Sound.The Social Life of Sounds argues for the agency of sounds and music and the acceleration of their social lives in the Digital Age. Drawing upon research with composers, producers, record collectors, DJs and record labels, the book problematises the notion of artistic authorship as it is framed in Western systems of property. Acknowledging that 'things' - sounds, samples, and recorded music - and people are co-constituted and that personhood is distributed through things and their reuse, Maalsen makes a case for understanding sound as multibiographical and challenges the possessive individual that is the basis of artistic copyright.Human geographyMusicEthnologyScienceSocial aspectsHuman GeographyMusicSociocultural AnthropologyScience and Technology StudiesHuman geography.Music.Ethnology.ScienceSocial aspects.Human Geography.Music.Sociocultural Anthropology.Science and Technology Studies.345.02662Maalsen Sophiaauthttp://id.loc.gov/vocabulary/relators/aut1061933BOOK9910350277903321The Social Life of Sound2521435UNINA