03320nam 2200613 450 991046490920332120200520144314.00-8173-8724-2(CKB)3710000000086038(EBL)1595746(SSID)ssj0001396944(PQKBManifestationID)11814037(PQKBTitleCode)TC0001396944(PQKBWorkID)11414732(PQKB)11510121(MiAaPQ)EBC1595746(Au-PeEL)EBL1595746(CaPaEBR)ebr10831944(OCoLC)868489507(EXLCZ)99371000000008603820140204h20132013 uy| 0engur|n|---|||||txtccrRitual, religion, and theatre /editor, E. Bert Wallace, Campbell UniversityTuscaloosa, AL :University of Alabama Press,[2013]©20131 online resource (146 p.)Theatre symposium,1065-4917 ;volume 21Description based upon print version of record.0-8173-7008-0 Includes bibliographical references.Contents; Introduction; Keynote Address: "The Blessed Assurance of Perhaps" - Tom F. Driver; Transferring Belief: The Stage Presence of the Spiritual Meme - Cohen Ambrose; Ritual Performance and Spirituality in the Work of The Living Theatre, Past and Present - David Callaghan; Top Brass: Theatricality, Themes, and Theology in James Weldon Johnson's God's Trombones - Gregory S. Carr; Pretty's Got Me All Bent Out of Shape: Jordan Harrison's Act a Lady and the Ritual of Queerness - Matt DiCintio; Clash with the Vikings: Gerpla and the Struggle for National Identity in Iceland - Steve EarneHeaven and Earth: Confession as Performance in Hamlet and Measure for Measure - Jennifer FlahertyTreasure in Clay Jars: Christian Liturgical Dramain Theory and Praxis - Charles A. Gillespie, Justin Kosec, and Kate Stratton; Between Piety and Sacrilege: Muslim Theatre and Performance - Thomas King; Cave Rituals and the Brain's Theatre - Mark Pizzato; Excerpts from "The Book of My Awkward Perspective" - William Doan; ContributorsVolume 21 of Theatre Symposium presents essays that explore the intricate and vital relationships between theatre, religion, and ritual.Whether or not theatre arose from ritual and/or religion, from prehistory to the present there have been clear and vital connections among the three. Ritual, Religion, and Theatre, volume 21 of the annual journal Theatre Symposium, presents a series of essays that explore the intricate and vital relationships that exist, historically and today, between these various modes of expression and performance.The essays in this voluTheatre symposium ;v. 21.Religion and dramaReligious dramaElectronic books.Religion and drama.Religious drama.792792.05792/.05Wallace E. Bert1033325MiAaPQMiAaPQMiAaPQBOOK9910464909203321Ritual, religion, and theatre2451807UNINA01641nam 2200361 n 450 99638736240331620221108015440.0(CKB)1000000000631293(EEBO)2240873786(UnM)99845497(EXLCZ)99100000000063129319910930d1508 uy |laturbn||||a|bb|Multo[rum] vocabulo[rum] equiuoco[rum] intepretatio Magistri Ioha[n]nis de Garlandia: grammatico et latini cupido. Permaxime necessaria incipit[electronic resource][London Printed by Richard Pynson3 May 1508][124] pWoodcut illustration on title page.Colophon reads: Libro .. finis impositus est feliciter. qua[m] Richardus Pynson LondonÌ„. in fletestrete signo Georgij commorans: mira arte imprimi ac diligenti studio corigi: ortographiq[ue] stilo prout facultas suppetebat, enucleatumq[ue] sollicitus fuit. Anno christiane redemptionis. Millesimo quingentesimo octauo. Die. iij. May.Signatures: 2a 2b-2k⁶.Reproduction of the original in the Bodleian Library.eebo-0014Latin languageSemanticsEarly works to 1800Latin languageSemanticsJohnof Garland,ca. 1195-ca. 1272.181432Cu-RivESCu-RivESCStRLINWaOLNBOOK996387362403316Multo vocabulorum equiuocorum intepretatio, Magistri Iohannis de Garlandia grammatico et latini cupido permaxime necessaria, incipit2343010UNISA