03755oam 22007094a 450 99637904730331620240418071720.090-485-2755-410.1515/9789048527557(CKB)3710000000455667(EBL)3563351(SSID)ssj0001557475(PQKBManifestationID)16180757(PQKBTitleCode)TC0001557475(PQKBWorkID)14818159(PQKB)10414009(MiAaPQ)EBC3563351(OCoLC)916529296(DE-B1597)502634(DE-B1597)9789048527557(OCoLC)1112364138(MdBmJHUP)muse76486(oapen)https://directory.doabooks.org/handle/20.500.12854/35681(EXLCZ)99371000000045566720190816e20192015 uy 0engurmn#---|||||txtrdacontentcrdamediacrrdacarrierFarocki/GodardVolker Pantenburg ; translated by Micheal Turnbull1st ed.Amsterdam University Press2015Baltimore, Maryland :Project Muse,2019©20191 online resource (285 pages) illustrationsIKKM books ;volume 25Film Culture in Transition"Originally published as 'Volker Pantenburg, Film als Theorie. Bildforschung bei Harun Farocki und Jean-Luc Godard', transcript Verlag, 2006"--Title page verso.90-8964-891-7 Includes bibliographical references (pages 263-275) and indexes.Introduction: Two Image Researchers -- 1. Le film qui pense: Image, Theory, Practice -- Film as a "Concrete Medium" -- Film Theories / Film as Theory -- Difference and Theory -- Montage and Cinematic Thinking -- 2. The Camera as Brush -- Film and Painting: Narrating with Images: Breathless -- Exploding the Museum: Pierrot le fou -- Arranging Things: Still Life -- Processing Images: Passion -- 3. Deviation as Norm -- Notes on the Essay Film -- 4. Cut -- Interlude in the Editing Room: What an Editing Room is: Interface -- Montage, toujours: JLG/JLG -- 5. Taking Pictures -- Photography and Film: Displacing: The Carabineers -- Rendering: Before Your Eyes Vietnam -- Surveying: Images of the World and The Inscription of War -- 6. Two or Three Ways of Speaking with the Hands: Asking Oneself: La Chinoise / Vent d'est -- Offering Oneself: Nouvelle vague -- Wxpressing Oneself: Georg K. Glaser / The Expression of Hands -- Conclusion.This book brings together two major filmmakers--German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard--to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create "film as theory."Schriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie ;Bd. 25.Film culture in transition.Motion picturesPhilosophyessay filmharun farockifilm theoryjean-luc godardPhotographyMotion picturesPhilosophy.791Pantenburg Volker1973-772872Turnbull Michael1959-Internationales Kolleg für Kulturtechnikforschung und Medienphilosophie.MdBmJHUPMdBmJHUPBOOK996379047303316Farocki2222384UNISA