01221cam--2200337---450 99626895010331620180924094206.020161025g19979999km-y0itay50------baitaITy|||||||001yyVerbali del Consiglio dei ministriluglio 1943- maggio1948edizione critica a cura di Aldo G. RicciRomaPresidenza del Consiglio dei ministri, Dipartimento per l'informazione e l'editoria1997-volumi24 cmStoria e culturaIn testa al frontespizio: Archivio centrale dello Stato2: Governo Badoglio: 22 aprile 1944-18 giugno 1944. - XXXIX, 229 p.2001Storia e culturaGoverno Badoglio: 22 aprile 1944-18 giugno 1944ItaliaGoverno1944DocumentiBNCF945.092RICCI,Aldo G.Italia :Consiglio dei ministri423419Archivio centrale dello StatoITsalbcISBD996268950103316XV.14.A. 966 2264629 L.M.XV.14.A.415563BKFVIGVerbali del Consiglio dei ministri920417UNISA01742nam 2200397Ka 450 991069515860332120060627130925.0(CKB)5470000002367144(OCoLC)70191078(EXLCZ)99547000000236714420060627d1999 fa 0engtxtrdacontentcrdamediacrrdacarrierAbandoned cold storage warehouse multi-firefighter fatality fire, Worcester, Massachusetts, December 3rd, 1999[electronic resource] /investigated by John R. Anderson[Emmitsburg, Md.] :FEMA,[1999]64 unnumbered pages digital, PDF fileTechnical report series ;USFA-TR-134Title from title screen (viewed June 27, 2006)."December 1999."This is report 134 of the Major Fires Investigation Project conducted by Varley-Campbell and Associates, Inc./TriData Corporation under contract EMW-94-4423 to the United States Fire Administration, Federal Emergency Management Agency.FiresCasualtiesMassachusettsWorcesterFire investigationMassachusettsWorcesterWarehousesFires and fire preventionMassachusettsWorcesterFiresCasualtiesFire investigationWarehousesFires and fire preventionAnderson John R18215United States.Federal Emergency Management Agency.GPOGPOBOOK9910695158603321Abandoned cold storage warehouse multi-firefighter fatality fire, Worcester, Massachusetts, December 3rd, 19993428462UNINA04859nam 22006015 450 991048380370332120211029152615.03-030-39427-110.1007/978-3-030-39427-1(CKB)4100000011223437(MiAaPQ)EBC6190199(DE-He213)978-3-030-39427-1(EXLCZ)99410000001122343720200429d2020 u| 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierAfter In-Yer-Face Theatre Remnants of a Theatrical Revolution /edited by William C. Boles1st ed. 2020.Cham :Springer International Publishing :Imprint: Palgrave Macmillan,2020.1 online resource (255 pages)3-030-39426-3 1. Chapter One: Introduction: Reflections on In-Yer-Face from the Other Side of the Atlantic; William C. Boles -- 2. Chapter Two: “In the Pursuit of New Writers”: The Royal Court Young Peoples’ Theatre and the Development of First Time Playwrights in the 1990s; Nicholas Holden -- 3. Chapter Three: “A Shop Window for Outrage”: Harold Pinter’s Ashes to Ashes, In-Yer-Face Theatre and the Royal Court’s 1996 West End Season; Graham Saunders -- 4. Chapter Four: “The Last Rolo”: Love, Conflict and War in Anthony Neilson’s Penetrator; Rachael Newberry -- 5. Chapter Five: Mark Ravenhill’s Dialectical Emotions: “In-Yer-Face” as Post-Brechtian Theater; Anja Hartl -- 6. Chapter Six: Undressing Sarah Kane: A Portuguese Perspective on In-Yer-Face; Cátia Faísco -- 7. Chapter Seven: Russian “In-Yer-Face Theatre” as a Problem or a Process; Elena Dotsenko -- 8. Chapter Eight: Surfing the Wave of In-Yer-Face Theatre on Australian Shores; Sandra Gattenhof -- 9. Chapter Nine: The Hidden Dialogue between Sarah Kane and Edward Bond: The Dramaturgy of Accident Time and Ethical Subjectivities; Chien-Cheng Chen -- 10. Chapter Ten: From “In-Yer-Face” to “In-Yer-Head”: Staging the Mind in Martin Crimp, Sarah Kane and Anthony Neilson; Solange Ayache -- 11. Chapter Eleven: Philip Ridley: Still In-Yer-Face; Thomas A. Oldham -- 12. Chapter Twelve: Tales from the East End: Dialogic and Confessional Storytelling as Therapy (?) in the Plays of Philip Ridley; Cath Badham -- 13. Chapter Thirteen: Joe Penhall’s Fatherhood Plays: Escaping the Influence of Sam Shepard and the Lad; William C. Boles -- 14. Chapter Fourteen: “Experiential, not speculative”: Love In and After In-Yer-Face; Korbinian Stöckl -- 15. Chapter Fifteen: The Echo Chamber: Theater in a “Post-Truth” World.This book revisits In-Yer-Face theatre, an explosive, energetic theatrical movement from the 1990s that introduced the world to playwrights Sarah Kane, Martin McDonagh, Mark Ravenhill, Jez Butterworth, and many others. Split into three sections the book re-examines the era, considers the movement’s influence on international theatre, and considers its lasting effects on contemporary British theatre. The first section offers new readings on works from that time period (Antony Neilson and Mark Ravenhill) as well as challenges myths created by the Royal Court Theatre about the its involvement with In-Yer-Face theatre. The second section discusses the influence of In-Yer-Face on Portuguese, Russian and Australian theater, while the final section discusses the legacy of In-Yer-Face writers as well as their influences on more recent playwrights, including chapters on Philip Ridley, Sarah Kane, Joe Penhall, Martin Crimp, Dennis Kelly, and Verbatim Drama.TheaterTheater—HistoryPerforming artsContemporary Theatrehttps://scigraph.springernature.com/ontologies/product-market-codes/415040Theatre Historyhttps://scigraph.springernature.com/ontologies/product-market-codes/415010National/Regional Theatre and Performancehttps://scigraph.springernature.com/ontologies/product-market-codes/415080Performing Artshttps://scigraph.springernature.com/ontologies/product-market-codes/415030TeatrethubLlibres electrònicsthubTheater.Theater—History.Performing arts.Contemporary Theatre.Theatre History.National/Regional Theatre and Performance.Performing Arts.Teatre792.09792.09Boles William Cedthttp://id.loc.gov/vocabulary/relators/edtMiAaPQMiAaPQMiAaPQBOOK9910483803703321After In-Yer-Face Theatre1998383UNINA