02765oam 22005654a 450 99624820030331620230829004522.00-520-94390-22027/heb08197(CKB)3390000000018205(MH)011992128-6(dli)HEB08197(MiU)MIU01000000000000009852077(DE-B1597)648256(DE-B1597)9780520943902(EXLCZ)99339000000001820520080805d2009 ub 0engurmnummmmuuuutxtrdacontentcrdamediacrrdacarrierThe tactile eye touch and the cinematic experience /Jennifer M. BarkerBerkeley University of California Pressc20091 online resource (xii, 196 p. )ill. ;Includes bibliographical references (p. 179-185) and index.The Tactile Eye expands on phenomenological analysis and film theory in its accessible and beautifully written exploration of the visceral connection between films and their viewers. Jennifer M. Barker argues that the experience of cinema can be understood as deeply tactile-a sensuous exchange between film and viewer that goes beyond the visual and aural, gets beneath the skin, and reverberates in the body. Barker combines analysis of embodiment and phenomenological film theory to provide an expansive description of cinematic tactility. She considers feminist experimental film, early cinema, animation, and horror, as well as classic, modernist, and postmodern cinema; films from ten national cinemas; and work by Chuck Jones, Buster Keaton, the Quay Brothers, Satyajit Ray, Carolee Schneemann, and Tom Tykwer, among others.Tactile EyeTHE TACTILE EYETACTILE EYE: TOUCH AND THE CINEMATIC EXPERIENCEHuman body in motion picturesMotion picturesPsychological aspectsMotion picture audiencesPsychologyHuman body in motion pictures.Motion picturesPsychological aspects.Motion picture audiencesPsychology.791.43/6561Barker Jennifer M.1969-608041DLCDLCBTCTAYDXCPC#PCDXBWXBOOK996248200303316The tactile eye2306402UNISAThis Record contains information from the Harvard Library Bibliographic Dataset, which is provided by the Harvard Library under its Bibliographic Dataset Use Terms and includes data made available by, among others the Library of Congress