04326nam 22010814a 450 99624818500331620240410062639.00-520-93795-31-282-76306-71-59734-842-2978661276306910.1525/9780520937956(CKB)1000000000024229(EBL)223002(OCoLC)475926909(SSID)ssj0000231497(PQKBManifestationID)11175164(PQKBTitleCode)TC0000231497(PQKBWorkID)10207679(PQKB)11370344(StDuBDS)EDZ0000084584(MiAaPQ)EBC223002(OCoLC)56733350(MdBmJHUP)muse30484(DE-B1597)519134(DE-B1597)9780520937956(Au-PeEL)EBL223002(CaPaEBR)ebr10068555(CaONFJC)MIL276306(dli)HEB09028(MiU)MIU01000000000000011661709(EXLCZ)99100000000002422920040217d2004 ub 0engur|n|---|||||txtccrThe queer composition of America's sound gay modernists, American music, and national identity /Nadine Hubbs1st ed.Berkeley University of California Pressc20041 online resource (295 p.)Description based upon print version of record.0-520-24184-3 0-520-24185-1 Includes bibliographical references (p. 249-263), discography (p. 265), and index.Modernist abstraction and the abstract art : Four Saints and the queer composition of America's sound -- Being musical : gender, sexuality, and musical identity in twentieth-century America -- Intermezzo. My dear Freddy : identity excesses and evasions chez Paul Bowles -- A French connection : modernist codes in the musical closet -- Queerness, eruption, bursting : U.S. musical modernism at midcentury -- Coda. Composing oneself (reprise).In this vibrant and pioneering book, Nadine Hubbs shows how a gifted group of Manhattan-based gay composers were pivotal in creating a distinctive "American sound" and in the process served as architects of modern American identity. Focusing on a talented circle that included Aaron Copland, Virgil Thomson, Leonard Bernstein, Marc Blitzstein, Paul Bowles, David Diamond, and Ned Rorem, The Queer Composition of America's Sound homes in on the role of these artists' self-identification-especially with tonal music, French culture, and homosexuality-in the creation of a musical idiom that even today signifies "America" in commercials, movies, radio and television, and the concert hall.MusicUnited States20th centuryHistory and criticismNational musicUnited StatesHistory and criticismGay composersUnited Statesamerica.american culture.american identity.american music.american sound.art and music.biographical.composers.famous musicians.french culture.gay composers.gay modernists.gender identity.gender studies.history of homosexuality.homosexuality.lgbtq.manhattan.modern america.music and culture.music historians.music history.music students.music studies.musicology.national identity.nonfiction.queer studies.self identification.tonal music.MusicHistory and criticism.National musicHistory and criticism.Gay composers780/.86/640973Hubbs Nadine1019802MiAaPQMiAaPQMiAaPQBOOK996248185003316The queer composition of America's sound2406386UNISA01469nam0 22003253i 450 PUV106989120251003044317.0884647315920060314d2005 ||||0itac50 baitaitz01i xxxe z01nStrategie tecnologiche e competitivita delle impreselicensing e outsourcing tecnologicoFabrizio CesaroniMilanoF. Angeli[2005]194 p.23 cm.Economia. Sez. 5406001CFI04118522001 Economia. Sez. 5406IMPRESEINNOVAZIONE TECNOLOGICAFIRMILC096484I658.4DIREZIONE (GESTIONE ESECUTIVA)14658.4062GESTIONE DEI CAMBIAMENTI INDOTTI DALL'ESTERNO21Cesaroni, FabrizioPUVV202246070150062ITIT-00000020060314IT-BN0095 NAP 01POZZO LIB.Vi sono collocati fondi di economia, periodici di ingegneria e scienze, periodici di economia e statistica e altri fondi comprendenti documenti di economia pervenuti in dono. PUV1069891Biblioteca Centralizzata di Ateneo1 v. 01POZZO LIB.ECON MON 1121 0101 0000188125E VMA 1 v. (Precedente collocazione: DASES B 1187)B 2009072320090723 01Strategie tecnologiche e competitivita delle imprese65758UNISANNIO