01970oam 2200493zu 450 99624817460331620210807001649.00-520-93327-32027/heb09011(CKB)2670000000193587(SSID)ssj0000676075(PQKBManifestationID)12292620(PQKBTitleCode)TC0000676075(PQKBWorkID)10678564(PQKB)10572385(StDuBDS)EDZ0000084686(dli)HEB09011(MiU)MIU01000000000000011609355(DE-B1597)648356(DE-B1597)9780520933279(EXLCZ)99267000000019358720160829d2007 uy engur|||||||||||txtccrMonteverdi's last operas : a Venetian trilogyBerkeley, Calif. ;London University of California Press20071 online resource (xxiv, 447 p.) illBibliographic Level Mode of Issuance: Monograph0-520-24934-8 Includes bibliographical references and index.Orpheus in Venice -- Discoveries and reception -- Sources and authenticity : three librettos -- Two scores -- Ancients and moderns -- A master of three servants -- Constructions of character -- The philosopher and the parasite.Ellen Rosand examines Monteverdi's celebrated final works 'Il ritorno d'Ulisse' (1640) and 'L'incoronazione di Poppea' (1642). Rosand considers these works as not merely a pair but consituents of a trio, a Venetian trilogy that, she argues, includes a third opera, 'Le nozze d'Enea' (1641).Opera17th centuryItalyOpera782.1092Rosand Ellen221187PQKBBOOK996248174603316Monteverdi's last operas : a Venetian trilogy2357051UNISA