03593nam 2200649 450 991079807940332120230629171923.00-231-54010-810.7312/jaco17182(CKB)3710000000461358(EBL)2145074(SSID)ssj0001531309(PQKBManifestationID)12555717(PQKBTitleCode)TC0001531309(PQKBWorkID)11463597(PQKB)10073325(StDuBDS)EDZ0001188776(MiAaPQ)EBC2145074(DE-B1597)458374(OCoLC)1054867452(OCoLC)984688375(DE-B1597)9780231540100(Au-PeEL)EBL2145074(CaPaEBR)ebr11092209(CaONFJC)MIL829597(OCoLC)918624207(EXLCZ)99371000000046135820150203h20152015 uy| 0engur|n|---|||||txtccrSebald's vision /Carol JacobsPilot project. eBook available to selected US libraries onlyNew York :Columbia University Press,[2015]©20151 online resource (295 p.)Literature nowDescription based upon print version of record.0-231-17182-X Includes bibliographical references and index.Preface: "Sebald's vision" -- Acknowledgments -- "Like the snow on the Alps": After Nature -- What does it mean to count?: The Emigrants -- Frames and excursions: Rings of Saturn -- Toward an epistemology of citation: "Air war and literature" -- A is for Austerlitz: Austerlitz -- Déjà vu or ... : "Like day and night": on the pictures of Jan Peter Tripp" -- A critical eye: the interviews.W. G. Sebald's writing has been widely recognized for its intense, nuanced engagement with the Holocaust, the Allied bombing of Germany in WWII, and other episodes of violence throughout history. Through his inventive use of narrative form and juxtaposition of image and text, Sebald's work has offered readers new ways to think about remembering and representing trauma.In Sebald's Vision, Carol Jacobs examines the author's prose, novels, and poems, illuminating the ethical and aesthetic questions that shaped his remarkable oeuvre. Through the trope of "vision," Jacobs explores aspects of Sebald's writing and the way the author's indirect depiction of events highlights the ethical imperative of representing history while at the same time calling into question the possibility of such representation. Jacobs's lucid readings of Sebald's work also consider his famous juxtaposition of images and use of citations to explain his interest in the vagaries of perception. Isolating different ideas of vision in some of his most noted works, including Rings of Saturn, Austerlitz, and After Nature, as well as in Sebald's interviews, poetry, art criticism, and his lecture Air War and Literature, Jacobs introduces new perspectives for understanding the distinctiveness of Sebald's work and its profound moral implications.Literature Now.LITERARY CRITICISM / Semiotics & TheorybisacshLITERARY CRITICISM / Semiotics & Theory.833/.914GN 9999rvkJacobs Carol549281MiAaPQMiAaPQMiAaPQBOOK9910798079403321Sebald's vision3685599UNINA01155nam0 22002651i 450 UON0002898220231205102051.95320020107d1968 |0itac50 baengUS|||| 1||||INTERMEDIATE Readings in Tagalogedited by J. Donald BowenBerkeleyUniversity of Californaia Press1968 xiii399 p. ; 26 cm altro front.Babasahing panggitnang baytang sa TagalogUON00354743Babasahing panggitnang baytang sa TagalogLINGUISTICAFILIPPINEDIALETTIUONC009544FIUSBerkeleyUONL000021FIL II BFILIPPINE - LINGUISTICA - GRAMMATICHEABOWENJ. DonaldUONV019582University of California PressUONV247423650ITSOL20240220RICASIBA - SISTEMA BIBLIOTECARIO DI ATENEOUONSIUON00028982SIBA - SISTEMA BIBLIOTECARIO DI ATENEOSI FIL II B 011 N SI SA 22329 5 011 N INTERMEDIATE Readings in Tagalog1187460UNIOR03793nam 2200649 a 450 99624817220331620221108092841.00-520-35455-90-585-24983-02027/heb06264(CKB)111004366711894(dli)HEB06264(SSID)ssj0000207055(PQKBManifestationID)12059083(PQKBTitleCode)TC0000207055(PQKBWorkID)10237254(PQKB)11687234(MiU)MIU01000000000000011401263(DE-B1597)648543(DE-B1597)9780520354555(EXLCZ)9911100436671189419910225d1990 ub 0engurmnummmmuuuutxtccrMusic as cultural practice, 1800-1900 /by Lawrence KramerBerkeley University of California Press19901 online resource (xv, 226 p. )music ;California studies in 19th century music ;8Bibliographic Level Mode of Issuance: Monograph0-520-06857-2 0-520-08443-8 Includes bibliographical references and index.Frontmatter -- Contents -- List of Figures -- List of Musical Examples -- Preface -- Acknowledgments -- 1 TROPES AND WINDOWS: An Outline of Musical Hermeneutics -- 2 BEETHOVEN'S TWO-MOVEMENT PIANO SONATAS AND THE UTOPIA OF ROMANTIC ESTHETICS -- 3 IMPOSSIBLE OBJECTS: Apparitions, Reclining Nudes, and Chopin's Prelude in A Minor -- 4 LISZT, GOETHE, AND THE DISCOURSE OF GENDER -- 5 MUSICAL FORM AND FIN-DE-SIÈCLE SEXUALITY -- 6 "AS IF A VOICE WERE IN THEM": Music, Narrative, and Deconstruction -- Appendix: Texts and Translations -- Textual Sources -- IndexIn Music as Cultural Practice, Lawrence Kramer adapts the resources of contemporary literary theory to forge a genuinely new discourse about music. Rethinking fundamental questions of meaning and expression, he demonstrates how European music of the nineteenth century collaborates on equal terms with textual and sociocultural practices in the constitution of self and society.In Kramer's analysis, compositional processes usually understood in formal or emotive terms reappear as active forces in the work of cultural formation. Thus Beethoven's last piano sonata, Op. 111, forms both a realization and a critique of Romantic utopianism; Liszt's Faust Symphony takes bourgeois gender ideology into a troubled embrace; Wagner's Tristan und Isolde articulates a basic change in the cultural construction of sexuality. Through such readings, Kramer works toward the larger conclusion that nineteenth-century European music is concerned as much to challenge as to exemplify an ideology of organic unity and subjective wholeness. Anyone interested in music, literary criticism, or nineteenth-century culture will find this book pertinent and provocative.California studies in 19th century music ;8.Music19th centuryPhilosophy and aestheticsMusicPhilosophy and aesthetics19th centuryMusic PhilosophyHILCCMusicHILCCMusic, Dance, Drama & FilmHILCCMusicPhilosophy and aesthetics.MusicPhilosophy and aestheticsMusic PhilosophyMusicMusic, Dance, Drama & Film780/.9/034Kramer Lawrence1946-758984American Council of Learned Societies.NyNyACLNyNyACLBOOK996248172203316Music as cultural practice, 1800-19002357062UNISA01820nam0 2200409 i 450 VAN0011534220241126020910.264N978-3-319-41192-720180305d2016 |0itac50 baengCH|||| |||||Search and optimization by metaheuristicstechniques and algorithms inspired by natureKe-Lin Du, M. N. S. Swamy[Basel]BirkhäuserSpringer2016XXI, 434 p.ill.24 cm74PxxOptimization problems in solid mechanics [MSC 2020]VANC029091MF90-XXOperations research, mathematical programming [MSC 2020]VANC025650MF90B40Search theory [MSC 2020]VANC034009MF90C59Approximation methods and heuristics in mathematical programming [MSC 2020]VANC034026MFEvolutionary computationKW:KMetaheuristicsKW:KNatural computingKW:KOptimizationKW:KSwarm IntelligenceKW:KCHBaselVANL002076DuKe-LinVANV089258756075SwamyM. N. ShanmukhaVANV0892591209110Birkhäuser <editore>VANV108193650Springer <editore>VANV108073650ITSOL20250214RICAhttp://dx.doi.org/10.1007/978-3-319-41192-7E-book – Accesso al full-text attraverso riconoscimento IP di Ateneo, proxy e/o ShibbolethBIBLIOTECA CENTRO DI SERVIZIO SBAVAN15NVAN00115342BIBLIOTECA CENTRO DI SERVIZIO SBA15CONS SBA EBOOK 2494 15EB 2494 20180305 Search and optimization by metaheuristics2789784UNICAMPANIA