02650nam 2200613 a 450 99624798910331620200520144314.00-19-027399-20-19-972238-21-282-05349-39786612053498(CKB)2560000000296443(EBL)430640(OCoLC)373185470(SSID)ssj0000132684(PQKBManifestationID)11136167(PQKBTitleCode)TC0000132684(PQKBWorkID)10039127(PQKB)10242247(StDuBDS)EDZ0000023700(MiAaPQ)EBC430640(Au-PeEL)EBL430640(CaPaEBR)ebr10288320(CaONFJC)MIL205349(EXLCZ)99256000000029644320070319d2009 uy 0engur|n|---|||||txtccrThe critical nexus[electronic resource] tone-system, mode, and notation in early medieval music /Charles M. AtkinsonOxford ;New York Oxford University Press20091 online resource (321 p.)AMS studies in musicDescription based upon print version of record.0-19-514888-6 0-19-985218-9 Includes bibliographical references (p. 259-291) and indexes.The heritage of antiquity -- The eighth and ninth centuries. The reception of ancient texts in the Carolingian era ; The heritage of the church -- The synthesis of ancient Greek theory and medieval practice. Hucbald of St. Amand and Regino of Prüm ; Alia musica ; Pseudo-Bernelinus, Bern of Reichenau, pseudo-Odo, and Guido d'Arezzo.Prologue 1. The Heritage of Antiquity Part I. The Eighth and Ninth Centuries 2. The Reception of Ancient Texts in the Carolingian Era 3. The Heritage of the Church Part II. The Synthesis of Ancient Greek Theory and Medieval Practice 4. Hucbald of St. Amand and Regino of Prum 5. Alia musica 6. Pseudo-Bernelinus, Pseudo-Odo, and Guido d'Arezzo Epilogue: Problems and Solutions Bibliography IndexAMS studies in music.Music theoryHistory500-1400Music theoryHistoryTo 500InfluenceElectronic books.Music theoryHistoryMusic theoryHistoryInfluence.781.2/63Atkinson Charles M(Charles Mercer),1941-988100MiAaPQBOOK996247989103316The critical nexus2259521UNISA