02609nam 2200733 a 450 99624798160331620190513192816.01-283-42347-297866134234740-19-987711-42027/heb31458(CKB)2560000000296609(EBL)3054453(OCoLC)922970694(SSID)ssj0000580622(PQKBManifestationID)11374601(PQKBTitleCode)TC0000580622(PQKBWorkID)10606134(PQKB)10053309(StDuBDS)EDZ0000054831(MiAaPQ)EBC3054453(dli)HEB31458(MiU)MIU01000000000000012918302(MiAaPQ)EBC31092123(Au-PeEL)EBL31092123(EXLCZ)99256000000029660920110119d2011 uy 0engur|n|---|||||txtccrSilent music medieval song and the construction of history in eighteenth-century Spain /by Susan Boynton1st ed.New York ;Oxford Oxford University Press20111 online resource (237 p.)Currents in Latin American and Iberian MusicDescription based upon print version of record.0-19-975459-4 0-19-991885-6 Includes bibliographical references and index.Burriel in the Spanish Enlightenment -- The commission on the archives in Toledo cathedral -- A gem worthy of a king : the facsimile of a Mozarabic chant book -- Alfonso X in the age of Ferdinand VI : copying the Cantigas de Santa Maria -- Palomares and the Visigothic neumes.This text shows the influence of medieval musical manuscripts on the articulation of national identity in Enlightenment Spain.Currents in Latin American & Iberian musicPaleography, MusicalSpainMusic500-1400ManuscriptsSpainMusic500-1400History and criticismEnlightenmentSpainInfluenceNeumesPaleography, MusicalMusicManuscriptsMusicHistory and criticism.EnlightenmentInfluence.Neumes.780.9469,2ssgnBoynton Susan1966-1011415MiAaPQMiAaPQMiAaPQBOOK996247981603316Silent music2404521UNISA