03182oam 2200937 450 99624789700331620230530142818.00-300-27344-41-4008-2025-11-322-94932-810.1515/9781400820252(CKB)1000000000396605(EBL)1943256(OCoLC)903442555(SSID)ssj0000084938(PQKBManifestationID)11112628(PQKBTitleCode)TC0000084938(PQKBWorkID)10008441(PQKB)11244082(OCoLC)903118547(MdBmJHUP)muse74389(DE-B1597)528122(OCoLC)1129187287(DE-B1597)9781400820252(MiAaPQ)EBC1943256(EXLCZ)99100000000039660520150210h19831983 uy 0engurnn#---|u||utxtccrThomas Eakins, the heroism of modern life /by Elizabeth JohnsPrinceton, N.J. :Princeton University Press,1983.©19831 online resource (323 p.)Description based upon print version of record.0-691-00288-6 0-691-04022-2 Includes bibliographical references and index.1. Eakins, modern life, and the portrait -- 2. Max Schmitt in a single scull, or The champion single sculls -- 3. The Gross Clinic, or Portrait of professor Gross -- 4. William Rush carving his allegorical figure of the Schuylkill River -- 5. The concert singer -- 6. Walt Whitman."Why did Thomas Eakins, now considered the foremost American painter of the nineteenth century, make portraiture his main field in an era when other major artists disdained such a choice? With a rich discussion of the cultural and vocational context of the late nineteenth and early twentieth centuries, Elizabeth Johns answers this question"--Publisher's description.PaintingPsychological aspectsPainting, American19th centuryThemes, motivesPortrait paintingUnited States19th centuryPaintingPsychological aspectsfast(OCoLC)fst01050608PaintingPsychological aspects.Painting, AmericanThemes, motives.Portrait paintingPaintingPsychological aspects.759.13Johns Elizabeth1937-1014387Princeton University Press,N$TN$TEBLCPYDXCPOCLCQOCLCOMERUCOCLCAOCLCQOCLCOOCLCQOCLCAJSTOROCLCQP@UHS0SXBMM9OCLCQSFBOCLCOOCLCQMTHYUSBOOK996247897003316Thomas Eakins2363485UNISA