03319nam 22004932 450 99621032100331620151109030845.01-139-81723-X1-139-00090-X(CKB)2670000000147330(SSID)ssj0000588165(PQKBManifestationID)11409133(PQKBTitleCode)TC0000588165(PQKBWorkID)10645878(PQKB)10218680(UkCbUP)CR9781139000901(EXLCZ)99267000000014733020110114d2005|||| uy| 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierThe Cambridge companion to the concerto /edited by Simon P. Keefe[electronic resource]Cambridge :Cambridge University Press,2005.1 online resource (xxv, 309 pages) digital, PDF file(s)Cambridge companions to musicTitle from publisher's bibliographic system (viewed on 09 Nov 2015).0-521-54257-X 0-521-83483-X Includes bibliographical references and index.Introduction /Simon P. Keefe --PART I. CONTEXTS --Theories of the concerto from the eighteenth century to the present day /Simon P. Keefe --The concerto and society /Tia DeNora --PART II. THE WORKS --The Italian concerto in the late seventeenth and early eighteenth centuries /Michael Talbot --The concerto in northern Europe to c.1770 /David Yearsley --The concerto from Mozart to Beethoven : aesthetic and stylistic perspectives /Simon P. Keefe --The nineteenth-century piano concerto /Stephan D. Lindeman --Nineteenth-century concertos for strings and winds /R. Larry Todd --Contrasts and common concerns in the concerto 1900-1945 /David E. Schneider --The concerto since 1945 /Arnold Whittall --PART III. PERFORMANCE --The rise (and fall) of the concerto virtuoso in the late eighteenth and nineteenth centuries /Cliff Eisen --Performance practice in the eighteenth-century concerto /Robin Stowell --Performance practice in the nineteenth-century concerto /David Rowland --The concerto in the age of recording /Timothy Day.No musical genre has had a more chequered critical history than the concerto and yet simultaneously retained as consistently prominent a place in the affections of the concert-going public. This volume, one of very few to deal with the genre in its entirety, assumes a broad remit, setting the concerto in its musical and non-musical contexts, examining the concertos that have made important contributions to musical culture, and looking at performance-related topics. A picture emerges of a genre in a continual state of change, re-inventing itself in the process of growth and development and regularly challenging its performers and listeners to broaden the horizons of their musical experience.Cambridge companions to music.ConcertoConcerto.784.2/3Keefe Simon P.1968-UkCbUPUkCbUPBOOK996210321003316The Cambridge companion to the concerto2576157UNISA