02904oam 2200661I 450 99620222580331620230421043359.01-134-85102-20-203-30044-01-134-85103-01-280-32014-197866103201410-203-42525-110.4324/9780203425251 (CKB)1000000000252960(EBL)166755(OCoLC)437076140(SSID)ssj0000229446(PQKBManifestationID)11194072(PQKBTitleCode)TC0000229446(PQKBWorkID)10172660(PQKB)10638960(MiAaPQ)EBC166755(OCoLC)52162256(EXLCZ)99100000000025296020180331d1998 uy 0engur|n|---|||||txtccrProsthetic culture photography, memory and identity /elia LuryLondon :Routledge,1998.1 online resource (255 p.)International Library of SociologyDescription based upon print version of record.0-415-10294-4 0-415-10293-6 Includes bibliographical references (p. [228]-238) and index.Cover; PROSTHETIC CULTURE; Title Page; Copyright Page; Table of Contents; List of figures; Acknowledgements; 1 IDENTITY AND PROSTHETIC CULTURE; 2 THE EXPERlMENTAL INDIVIDUAL; 3 THE FAMILY OF MAN; 4 BECOME WHAT YOU ARE; 5 REMEMBER ME; 6 SEEING YOU, SEEING ME, SEEING PHOTOGRAPHICALLY; 7 MOVEMENT AND THE BODY OF PHOTOGRAPHY; 8 HUMANS, NON-HUMANS AND HEROES; 9 THE ETHICS OF SEEING PHOTOGRAPHICALLY; Bibliography; IndexIn a fascinating account of how technology is altering our consciousness, Celia Lury shows how the manipulation of photographic images and ways of seeing can so redefine the relation between consciousness, the body and memory as to create a 'prosthetic culture' whose capacities both extend and threaten our humanity.We live in a society in which some memories can be falsely implanted in the individual while others are stored in video archives of images, in which the powers of cartoon superheroes break through the limitations of time and space. Using the examples of photo-therapy, family albInternational Library of SociologyPhotography, memory and identityPhotographyPhilosophyImages, PhotographicSelf (Philosophy)PhotographyPhilosophy.Images, Photographic.Self (Philosophy)306Lury Celia.319326MiAaPQMiAaPQMiAaPQBOOK996202225803316Prosthetic culture2190126UNISA