02830 am 22005533u 450 99620166570331620230621135353.09789038212739(paperback)(CKB)3450000000002956(SSID)ssj0000985934(PQKBManifestationID)11543091(PQKBTitleCode)TC0000985934(PQKBWorkID)10933317(PQKB)10985217(WaSeSS)Ind00074578(oapen)https://directory.doabooks.org/handle/20.500.12854/28469(EXLCZ)99345000000000295620160829d2008 uy |duturm|#||||||||txtrdacontentcrdamediacrrdacarrierHet anti-theater van Antonin Artaud Een onderzoek naar de veralgemeende artistieke transgressie toegepast op het werk van Romeo Castellucci en de Socìetas Raffaello Sanzio /Thomas CrombezGentAcademia Press2008Gent :Academia Press,20081 online resource (x, 336 pages) digital, PDF file(s)Ginkgo Het antitheater van Antonin ArtaudBibliographic Level Mode of Issuance: MonographPrint version: 9789038212739 Includes bibliographical references.What does it mean to violate the law on a theatrical stage? This is the central question in the following examination of modern theatre, beginning with the avant-garde, but also including the contemporary and iconoclastic work of the Socìetas Raffaello Sanzio. For the historical avant-garde, art could be the gateway to a new and liberated reality. But then all of existing reality first had to be demolished, and its laws consistently violated. Ultimately, this transgressive programme ends in discouragement and self-sabotage. Such an 'anti-theatre' has been explored most extensively in the writings of the French director and essayist Antonin Artaud. A careful exploration of Artaud's work, emphasizing his actual theatrical productions, shows that this paradox does not necessarily lead to a dead end. Generalized transgression may lead to a theatre that belongs more to philosophy than to art itself.Romance LiteraturesHILCCLanguages & LiteraturesHILCCFrench LiteratureHILCCanti-theaterhistorische avant-gardetheaterantonin artaudhistorical avant-gardeRomance LiteraturesLanguages & LiteraturesFrench LiteratureCrombez Thomas800995PQKBUkMaJRU996201665703316Het anti-theater van Antonin Artaud2152514UNISA