03727nam 22005532 450 99620114950331620151109030845.01-107-48140-61-107-48629-71-139-00165-5(CKB)1000000000820045(SSID)ssj0000371587(PQKBManifestationID)12144555(PQKBTitleCode)TC0000371587(PQKBWorkID)10411870(PQKB)11016477(UkCbUP)CR9781139001656(UK-CbPIL)2050483(PPN)166987476(EXLCZ)99100000000082004520110114d2007|||| uy| 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierThe Cambridge companion to British theatre, 1730-1830 /edited by Jane Moody and Daniel O'Quinn[electronic resource]Cambridge :Cambridge University Press,2007.1 online resource (xvii, 285 pages) digital, PDF file(s)Cambridge companions to literatureTitle from publisher's bibliographic system (viewed on 09 Nov 2015).0-521-61777-4 0-521-85237-4 Acting and actors from Garrick to Kean /Peter Thomson --Dictating to the empire : performance and theatrical geography in eighteenth-century Britain /Jane Moody --Scenography and technology /Christopher Baugh --Spectatorship /Jim Davis --Social life of eighteenth-century comedy /Lisa A. Freeman --Tragedy /Susan Staves --Pantomime /John O'Brien --Romantic melodrama /Jacky Bratton --The making of an English audience : the case of the footmen's gallery /Kristina Straub --Women playwrights /Misty G. Anderson --Entertaining women : the actress in eighteenth century theatre and culture /Laura J. Rosenthal --Race and profit in English theatre /Julie A. Carlson --Private theatricals /Gillian Russell --Opera in the London theatres /Michael Burden --Acting in the periphery : the Irish theatre /Helen Burke --Theatre and empire /Daniel O'Quinn --Reading theatre, 1730-1830 /Jonathan Mulrooney.This Companion offers a wide-ranging and innovative guide to one of the most exciting and important periods in British theatrical history. The scope of the volume extends from the age of Garrick to the Romantic transformation of acting inaugurated by Edmund Kean. It brings together cutting-edge scholarship from leading international scholars in the long eighteenth century, offering lively and original insights into the world of the stage, its most influential playwrights and the professional lives of celebrated performers such as James Quin, George Anne Bellamy, John Philip Kemble, Dora Jordan, Fanny Abington and Sarah Siddons. The volume includes essential chapters about eighteenth-century acting, production and audiences, important surveys of key theatrical forms such as tragedy, comedy, melodrama and pantomime as well as a range of exciting thematic essays on subjects such as private theatricals, 'black' theatre and the representation of empire.Cambridge companions to literature.TheaterGreat BritainHistory18th centuryTheaterGreat BritainHistory19th centuryTheaterHistoryTheaterHistory792.0942/09033Moody Jane1967-2011,O'Quinn Daniel1962-UkCbUPUkCbUPBOOK996201149503316The Cambridge companion to British theatre, 1730-18302493512UNISA