01118nam 2200373 450 991028635320332120230807225236.0(CKB)4100000006668435(NjHacI)994100000006668435(EXLCZ)99410000000666843520230807d1925 uy 0freur|||||||||||txtrdacontentcrdamediacrrdacarrierLes Codes de la Russie Sovietique /Jules Patouillet, Raoul Dufour, Édouard LambertParis :M. Giard,1925.©19251 online resource (192 pages)Études et documents (Lyon, France) ;9, 14, 24Includes bibliographical references and index.LawRussia (Federation)Law349.47Patouillet Jules226719Lambert ÉdouardDufour RaoulNjHacINjHaclBOOK9910286353203321Les Codes de la Russie Sovietique3413702UNINA00957nam--2200337---450-99000583496020331620130424101034.0000583496USA01000583496(ALEPH)000583496USA0100058349620130424d1974----km-y0itay50------baitaIT||||||||001yy<<Il>> discorso religioso, oggiGianfranco MorraUdineScuola cattolica di cultura[1974?]20 p.25 cmQuaderni di cultura32001Quaderni di cultura3238MORRA,Gianfranco49418ITsalbcISBD990005834960203316XV.8. 1626226786 L.M.XV.8.BKFSOIANNONE9020130424USA011009IANNONE9020130424USA011010Discorso religioso, oggi1088453UNISA04333nam 2200697 a 450 991096218700332120240516142234.09781283952057128395205X97817804276691780427662(CKB)2550000000088986(EBL)886972(OCoLC)781951149(SSID)ssj0000749599(PQKBManifestationID)11407800(PQKBTitleCode)TC0000749599(PQKBWorkID)10726636(PQKB)11576934(MiAaPQ)EBC886972(Au-PeEL)EBL886972(CaPaEBR)ebr10532446(CaONFJC)MIL426455(PPN)197273181(FR-PaCSA)88835565(FRCYB88835565)88835565(EXLCZ)99255000000008898620120315d2012 uy 0freur|n|---|||||txtccrLe Symbolisme /[texte, Nathalia Brodskaïa]1st ed.New York Parkstone International[2012?]1 online resource (200 p.)Collection art of centuryDescription based upon print version of record.9781859956717 1859956718 Includes bibliographical references and index.Sommaire; Introduction : le M anifeste du symbolisme par Jean Moréas; LE SYMBOLISME; SCENE PREMIERE; SCENE II; I. Le Symbolisme dans la littérature; II. Poèmes symbolistes; Charles Baudelaire, Une Charogne; Charles Baudelaire, Correspondances; Charles Baudelaire, Spleen; René Ghil, Aux Temps des dieux; Remy de Gourmont, Hiéroglyphes; Joris-Karl Huysmans, Sonnet liminaire; Alfred Jarry, Bardes et cordes; Gustave Kahn, La Coupe; Jules Laforgue, Complainte des pianos qu'on entend dans les quartiers aisés; Maurice Maeterlinck, Feuillage du cœurStéphane Mallarmé, L'Après-Midi d'un faune (extrait)Robert de Montesquiou, Hymne à la nuit; Jean Moréas, Sensualité; Anna de Noailles, La Mort dit à l'homme...; Henri de Régnier, A Stéphane Mallarmé; Arthur Rimbaud, Voyelles; Saint-Pol-Roux, La Pluie purificatrice; Paul Valéry, Hélène; Emile Verhaeren, Le Roc (extrait); Paul Verlaine, Art poétique; Paul Verlaine, Langueur; III. Le Symbolisme dans l'art; Les Incontournables; Pierre Puvis de Chavannes (Lyon, 1824 - Paris, 1898); Arnold Böcklin (Bâle, 1827 - Zurich, 1901); Gustave Moreau (Paris, 1828 - Paris, 1898)Dante Gabriel Rossetti (Londres, 1828 - Birchington-on-Sea, 1882)Edward Burne-Jones (Birmingham, 1833 - Londres, 1898); Odilon Redon (Bordeaux, 1840 - Paris, 1916); Eugène Carrière (Gournay-sur-Marne, 1849 - Paris, 1906); Mikhail Aleksandrovich Vrubel (Omsk, 1856 - Saint-Pétersbourg, 1910); Fernand Khnopff (Grembergen-lez-Termonde, 1858 - Bruxelles, 1921); Jan Toorop (Purworejo, 1858 - La Haye, 1928); Edvard Munch (Løten, 1863 - Ekely, 1944); Franz von Stuck (Tettenweis, 1863 - Munich, 1928); Jens Ferdinand Willumsen (Copenhague, 1863 - Le Canet, 1958)Maurice Denis (Granville, 1870 - Paris, 1943)Notes; Bibliographie; IndexEntre 1880 et les premières années du XXe siècle, le symbolisme voit le jour en France et en Europe. Les symbolistes, fascinés par les mythologies anciennes, tentent d'échapper au règne de la pensée rationaliste imposée par la science. Souhaitant dépasser le monde du visible et du sensible pour atteindre le monde de la pensée pure, ils flirtent constamment avec les limites de l'inconscient.Les Français Gustave Moreau et Odilon Redon, les Belges Fernand Khnopff et Félicien Rops, les Anglais Burne-Jones et Dante Gabriel Rossetti et enfin le Hollandais Jan Toorop sont les artistes les plus représArt of century collection.Symbolism in artSymbolism in artPictorial worksSymbolism in art.Symbolism in art700.9034Brodskai͡a N. V(Natalʹi͡a Valentinovna)863734MiAaPQMiAaPQMiAaPQBOOK9910962187003321Le Symbolisme4335848UNINA04681nam 2200649Ia 450 991096619770332120200520144314.01-283-04722-5978661304722990-272-8604-310.1075/fos.21(CKB)2670000000077192(SSID)ssj0000486281(PQKBManifestationID)11291804(PQKBTitleCode)TC0000486281(PQKBWorkID)10430528(PQKB)10002039(MiAaPQ)EBC673099(Au-PeEL)EBL673099(CaPaEBR)ebr10459005(CaONFJC)MIL304722(OCoLC)712015669(DE-B1597)719205(DE-B1597)9789027286048(EXLCZ)99267000000007719219890203d1989 uy 0engurcn|||||||||txtccrOn the medieval theory of signs /edited by Umberto Eco and Costantino Marmo1st ed.Amsterdam ;Philadelphia J. Benjamins1989ix, 224 p. illFoundations of semiotics,0168-2555 ;v. 21Bibliographic Level Mode of Issuance: Monograph90-272-3293-8 90-272-2108-1 Includes bibliographical references.ON THE MEDIEVAL THEORY OF SIGNS -- Editorial page -- Title page -- Copyright page -- Table of contents -- Preface -- Section I -- On animal language in the medieval classification of signs* -- 1. The center and the marges: latratus canis -- 2. Signs and words -- 3. Aristotle -- 4. De Interpretatione 16a: from Boethius to Aquinas -- 5. Litterata and Articulata -- 6. Abelard: Institutio and Impositio -- 7. Augustine and the Stoic legacy -- 8. Roger Bacon -- 9. From intension to-extension -- Notes -- References -- Denotation -- Aristotle -- Boethius -- Anselm's 'appellatio' -- Abelard -- Aquinas -- The rising of the idea of supposition -- Bacon -- Duns Scotus and the Modistae -- Ockham -- After Ockham -- Conclusion -- Notes -- References -- Section II -- Thomas Aquinas: Natural semiotics and the epistemological process -- 1. Concerning the intellect -- 2. Sensation and Knowledge -- 3. Signs and the intellect -- 4. The reflexio and the intellect -- 5. A map of signs -- 6. The codes of reality -- Abbreviations -- References -- Sicut tabernarius vinum significat per circulum: Directions in contemporary interpretations of the Modistae -- 1. Modism as Worttheorie: Enders' hypothesis -- 2. Chomsky, Ockham and the Modistae -- 3. Young Heidegger, Husserl, and categorial grammars -- 4. Conclusion -- Notes -- References -- Ontology and semantics in the logic of Duns Scotus* -- 0. Introduction -- 1. Some remarks on Scotus' ontology -- 2. Scotus' semantics -- Conclusion -- Notes -- References -- Mental signs and the theory of representation in Ockham -- 1. Linguistic signs -- 2. The semiotic status of mental linguistic signs -- 3. Mental signs, knowledge, and the language of angels -- 4. The question of mental syncategoremata -- 5. Mental language and the theory of representation -- Notes -- References -- The series Foundations of Semiotics.In the course of the long debate on the nature and the classification of signs, from Boethius to Ockham, there are at least three lines of thought: the Stoic heritage, that influences Augustine, Abelard, Francis Bacon; the Aristotelian tradition, stemming from the commentaries on De Interpretatione; the discussion of the grammarians, from Priscian to the Modistae. Modern interpreters are frequently misled by the fact that the various authors regularly used the same terms. Such a homogeneous terminology, however, covers profound theoretical differences. The aim of these essays is to show that the medieval theory of signs does not represent a unique body of semiotic notions: there are diverse and frequently alternative semiotic theories. This book thus represents an attempt to encourage further research on the still unrecognized variety of the semiotic approaches offered by the medieval philosophies of language.Foundations of semiotics ;v. 21.Philosophy, MedievalCongressesSemioticsHistoryCongressesPhilosophy, MedievalSemioticsHistory001.51/0902Eco Umberto318813Marmo Costantino169131MiAaPQMiAaPQMiAaPQBOOK9910966197703321On the medieval theory of signs4375687UNINA