01154nam0-2200385---450 99000570431020331620190403125006.0000570431USA01000570431(ALEPH)000570431USA0100057043120070305d2001----|||y0itaa50------baenggb0 00|||Kant's theory of tastea reading of the Critique of aesthetic judgmentHenry E. Allison[Cambridge etc.]Cambridge University Press2001XVI, 424 p.23 cm.Modern European Philosophy2001Modern European PhilosophyKant, ImmanuelEsteticaFCAMBRIDGE111.85ALLISON,Henry E.160240ITSA20111219990005704310203316Dipar.to di Filosofia - SalernoDFCC 111.85 ALL8287 FILCC 111.85 ALL8287 FILBKFIL20121027USA01152620121027USA011615Kant's theory of taste1083824UNISASA001913903317nam 22008534a 450 991097429140332120251116233815.00-19-518797-01-280-48140-497866104814080-19-803217-X1-60256-973-80-19-518502-1(PPN)276685636(CKB)2560000000296430(EBL)3051844(OCoLC)922952430(SSID)ssj0001143625(PQKBManifestationID)12513062(PQKBTitleCode)TC0001143625(PQKBWorkID)11112405(PQKB)11336956(SSID)ssj0000085978(PQKBManifestationID)11115839(PQKBTitleCode)TC0000085978(PQKBWorkID)10025600(PQKB)11498173(StDuBDS)EDZ0000073255(MiAaPQ)EBC3051844(Au-PeEL)EBL3051844(CaPaEBR)ebr10084829(CaONFJC)MIL48140(MiAaPQ)EBC279713(Au-PeEL)EBL279713(OCoLC)191038694(MiAaPQ)EBC7033899(OCoLC)48474073(FINmELB)ELB163038(Au-PeEL)EBL7033899(OCoLC)57361805(EXLCZ)99256000000029643020011119d2002 uy 0engur|n|---|||||txtccrConceptualizing music cognitive structure, theory, and analysis /Lawrence M. Zbikowski1st ed.Oxford ;New York Oxford University Press20021 online resource (377 p.)AMS studies in musicDescription based upon print version of record.0-19-514023-0 0-19-987127-2 Includes bibliographical references (p. 335-352) and index.Contents; Introduction: Conceptualizing Music; PART I. ASPECTS OF COGNITIVE STRUCTURE; 1. Categorization; 2. Cross-Domain Mapping; 3. Conceptual Models and Theories; PART II. ANALYSIS AND THEORY; 4. Categorization, Compositional Strategy, and Musical Syntax; 5. Cultural Knowledge and Musical Ontology; 6.Words, Music, and Song: The Nineteenth-Century Lied; 7. Competing Models of Music: Theories of Musical Form and Hierarchy; Conclusion: Cognitive Structure, Theory, and Analysis; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; ZThis text shows how work in cognitive science, especially that developed by cognitive linguists and cognitive psychologists can be used to explain how we understand music. The book focuses on three cognitive processes - categorization, cross-domain mapping, and the use of the conceptual model.AMS studies in music.Musical perceptionMusical analysisCognitionMusical perception.Musical analysis.Cognition.781/.11Zbikowski Lawrence Michael1860183MiAaPQMiAaPQMiAaPQBOOK9910974291403321Conceptualizing music4464768UNINA