00780nam0 2200253 450 00001072520080506090630.020080506d1953----km-y0itay50------baengUSa-------001yyCost accountingby Theodore Lang, Walter B. McFarland, Michael SchiffNew YorkThe Ronald press company1953VII, 741 p.ill.24 cmCostiContabilità aziendale657.4218Lang,Theodore631140McFarland,Walter B.112425Schiff,Michael105355ITUNIPARTHENOPE20080506RICAUNIMARC000010725657.42/10111578NAVA1Cost accounting1204019UNIPARTHENOPE01170nam0-22003971i-450-99000551701020331620041020120000.0000551701USA01000551701(ALEPH)000551701USA0100055170120041020d1982-------|0itac50------baitaIT|||| |||||<<L' >> economia italiana nell'eta modernaPaolo MalanimaRomaEditori riuniti1982156 p.ill.19 cmLibri di base352001Libri di base35ItaliaEconomiaStoriaSec. 14.-17.FIRoma339.94521MALANIMA,Paolo121439ITSOL20120104990005517010203316DIP.TO SCIENZE ECONOMICHE - (SA)DS 300 339.945 MAL2346 DISES300 339.945 MAL2346 DISESBKDISES20121027USA01153220121027USA011613PATRY9020130226USA011603Economia italiana nell'età moderna46744UNISAUSA1295302453nam 2200589 a 450 991045308640332120200520144314.01-78238-901-60-85745-950-3(CKB)2550000001108958(EBL)1337742(OCoLC)855505464(SSID)ssj0000955159(PQKBManifestationID)12421307(PQKBTitleCode)TC0000955159(PQKBWorkID)10943404(PQKB)10398847(MiAaPQ)EBC1337742(Au-PeEL)EBL1337742(CaPaEBR)ebr10745054(CaONFJC)MIL509045(EXLCZ)99255000000110895820130327d2013 uy 0engur|n|---|||||txtccrSupercinema[electronic resource] film-philosophy for the digital age /William Brown1st ed.New York Berghahn Books20131 online resource (196 p.)Description based upon print version of record.0-85745-949-X 1-299-77794-5 Includes bibliographical references and index.Digital cinema's conquest of space -- The deanthropocentric character of digital cinema -- From temporalities to time in digital cinema -- The film-spectator-world assemblage -- Concluding with love. Drawing on a variety of popular films, including Avatar, Enter the Void, Fight Club, The Matrix, Speed Racer, X-Men and War of the Worlds, Supercinema studies the ways in which digital special effects and editing techniques require a new theoretical framework in order to be properly understood. Here William Brown proposes that while analogue cinema often tried to hide the technological limitations of its creation through ingenious methods, digital cinema hides its technological omnipotence through the use of continued conventions more suited to analogue cinema, in a way that is analogous to tMotion picturesDigital cinematographyElectronic books.Motion pictures.Digital cinematography.777Brown William1977-1027339MiAaPQMiAaPQMiAaPQBOOK9910453086403321Supercinema2442705UNINA