01256nam0-22003731i-450 99000542343020331620190213122036.0000542343USA01000542343(ALEPH)000542343USA0100054234320010829d1990194----|0itac50------baitaIT||||Z 1||||<<Le>> imprese di servizi alla produzionecaratteristiche organizative, innovazion e e sviluppo in differenti contesti spaziali ed economicidi Flavio Boscacci e Riccardo CappellinMilanoFranco Angelicopyr. 1990 - 194 p. : ill. ; 22 cmCollana IReR472001Collana IReR47IndustriaserviziFI338.45Efficienza produttiva21BOSCACCI,Flavio32434CAPPELLIN,Riccardo35603ITSOL20120104990005423430203316DIP.TO SCIENZE ECONOMICHE - (SA)DS 338.1 BOS4473 DISES300 338.1 BOS4473 DISESBKDISES20121027USA01153120121027USA011612Imprese di servizi alla produzione1142718UNISAUSA114702973nam 2200613Ia 450 991045943630332120200520144314.01-282-69773-097866126977390-520-94604-910.1525/9780520946040(CKB)2670000000035508(EBL)566765(OCoLC)649810666(SSID)ssj0000414081(PQKBManifestationID)11307051(PQKBTitleCode)TC0000414081(PQKBWorkID)10386209(PQKB)11132902(MiAaPQ)EBC566765(MdBmJHUP)muse30378(DE-B1597)519032(DE-B1597)9780520946040(Au-PeEL)EBL566765(CaPaEBR)ebr10402699(CaONFJC)MIL269773(EXLCZ)99267000000003550820091222d2010 uy 0engur|n|---|||||txtccrCinema, emergence, and the films of Satyajit Ray[electronic resource] /Keya GangulyBerkeley University of California Press20101 online resource (273 p.)Description based upon print version of record.0-520-26217-4 0-520-26216-6 Includes bibliographical references and index.Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Note on Romanization -- Introduction: The Light of the New Moon -- 1. Catastrophe and Utopia -- 2. The (Un)moving Image -- 3. Devi -- 4. The Music Room Revisited -- 5. Take Two -- 6. Cinema and Universality -- Conclusion -- Notes -- Select Bibliography -- IndexAlthough revered as one of the world's great filmmakers, the Indian director Satyajit Ray is described either in narrowly nationalistic terms or as an artist whose critique of modernity is largely derived from European ideas. Rarely is he seen as an influential modernist in his own right whose contributions to world cinema remain unsurpassed. In this benchmark study, Keya Ganguly situates Ray's work within the internationalist spirit of the twentieth century, arguing that his film experiments revive the category of political or "committed" art. She suggests that in their depictions of Indian life, Ray's films intimate the sense of a radical future and document the capacity of the image to conceptualize a different world glimpsed in the remnants of a disappearing past.Motion picture producers and directorsIndiaBiographyElectronic books.Motion picture producers and directors791.4312/33092Ganguly Keya859024MiAaPQMiAaPQMiAaPQBOOK9910459436303321Cinema, emergence, and the films of Satyajit Ray2483510UNINA