00773nam0-22002891i-450-99000609368040332119980601000609368FED01000609368(Aleph)000609368FED0100060936819980601d1921----km-y0itay50------ba--------00-yy<<Die >>VerbrechensformelArthur Baugmarten.S.l.s.e.192158_104 p.22 cm200la Revue Penale Suisse, 1921345Baumgarten,Arthur224631ITUNINARICAUNIMARCBK990006093680403321BUSTA 5 (25) 1018323FGBCFGBCVerbrechensformel574891UNINAGIU0101171nam--2200397---450-99000280086020331620060825104910.088-06-18050-9000280086USA01000280086(ALEPH)000280086USA0100028008620060825h2006----km-y0itay50------baitaITa|||||||001yy<<Le>> parole del teatrouna guida per lo spettatoreTonino Contecon la collaborazione di Pietro Fabbri e Amedeo Romeoillustrazioni di Emanuele LuzzatiTorinoEinaudicopyr. 2006179 p.ill.21 cmET13912001ET1391TeatroLinguaggio teatrale792CONTE,Tonino558806FABBRI,PietroROMEO,AmedeoLUZZATI,EmanueleITsalbcISBD990002800860203316XIII.1.B. 598189684 L.M.XIII.1.00178508BKUMAANNAMARIA9020060825USA011049Parole del teatro995360UNISA03953nam 22007212 450 991045783490332120151005020624.01-107-16799-X1-280-75058-80-511-26967-60-511-27023-20-511-26815-70-511-32296-80-511-48422-40-511-26882-3(CKB)1000000000352178(EBL)288508(OCoLC)161943125(SSID)ssj0000275174(PQKBManifestationID)11213618(PQKBTitleCode)TC0000275174(PQKBWorkID)10331421(PQKB)11466234(UkCbUP)CR9780511484223(MiAaPQ)EBC288508(Au-PeEL)EBL288508(CaPaEBR)ebr10159206(CaONFJC)MIL75058(EXLCZ)99100000000035217820090224d2007|||| uy| 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierWriting against revolution literary conservatism in Britain, 1790-1832 /Kevin Gilmartin[electronic resource]Cambridge :Cambridge University Press,2007.1 online resource (xii, 316 pages) digital, PDF file(s)Cambridge studies in Romanticism ;69Title from publisher's bibliographic system (viewed on 05 Oct 2015).0-521-14219-9 0-521-86113-6 Includes bibliographical references and index.Introduction: reconsidering counterrevolutionary expression -- In the theater of counterrevolution: loyalist association and vernacular address -- "Study to be quiet": Hannah More and counterrevolutionary moral reform -- Reviewing subversion: the function of criticism at the present crisis -- Subverting fictions: the counterrevolutionary form of the novel -- Southey, Coleridge, and the end of anti-Jacobinism in Britain.Conservative culture in the Romantic period should not be understood merely as an effort to preserve the old regime in Britain against the threat of revolution. Instead, conservative thinkers and writers aimed to transform British culture and society to achieve a stable future in contrast to the destructive upheavals taking place in France. Kevin Gilmartin explores the literary forms of counterrevolutionary expression in Britain, showing that while conservative movements were often inclined to treat print culture as a dangerously unstable and even subversive field, a whole range of print forms - ballads, tales, dialogues, novels, critical reviews - became central tools in the counterrevolutionary campaign. Beginning with the pamphlet campaigns of the loyalist Association movement and the Cheap Repository in the 1790s, Gilmartin analyses the role of periodical reviews and anti-Jacobin fiction in the campaign against revolution, and closes with a fresh account of the conservative careers of Robert Southey and Samuel Taylor Coleridge.Cambridge studies in Romanticism ;69.Conservatism and literatureGreat BritainHistory19th centuryCounterrevolutionsGreat BritainHistory19th centuryPress and politicsGreat BritainHistory19th centuryGreat BritainHistoryGeorge III, 1760-1820Great BritainHistoryGeorge IV, 1820-1830FranceHistoryRevolution, 1789-1799Literature and the revolutionConservatism and literatureHistoryCounterrevolutionsHistoryPress and politicsHistory820.9/358Gilmartin Kevin1963-682060UkCbUPUkCbUPBOOK9910457834903321Writing against revolution1903605UNINA