01164nam--2200385---450-99000217906020331620090206140656.0000217906USA01000217906(ALEPH)000217906USA0100021790620041116d1970----km-y0itay0103----baengUS||||||||001yyPredictability of stock market pricesClive W. J. Granger, Oskar MorgensternLexingtonHeath Lexington Books1970XXIII, 303 p.24 cm20012001001-------2001332.6GRANGER,Clive William John548985MORGENSTERN,Oskar40906ITsalbcISBD990002179060203316332.6 GRA 1 (IRA 30 13)15863 G.IRA 3000012359BKECOSIAV71020041116USA011448SIAV71020041116USA011450SIAV71020041116USA011450RSIAV39020090206USA011406Predictability of stock market prices1033639UNISA01717nam0 2200337 i 450 SUN005565520170921021217.49303-87943-74-90.008-1-4612-8692-920061110d1995 |0engc50 baengUS|||| |||||*Classical descriptive set theoryAlexander S. KechrisNew YorkSpringer1995XVIII, 402 p.ill.24 cm.001SUN00235792001 *Graduate texts in mathematics156210 New YorkSpringer1950-.03ExxSet theory [MSC 2020]MFSUNC01993954H05Descriptive set theory (topological aspects of Borel, analytic, projective, etc. sets) [MSC 2020]MFSUNC02420728A05Classes of sets (Borel fields, $\sigma$-rings, etc.), measurable sets, Suslin sets, analytic sets [MSC 2020]MFSUNC024455USNew YorkSUNL000011Kechris, Alexander S.SUNV03676360944SpringerSUNV000178650Kechris, Alexander SotiriosKechris, Alexander S.SUNV044784ITSOL20200921RICA/sebina/repository/catalogazione/documenti/Kechris - Classical descriptive set theory.pdfContentsSUN0055655UFFICIO DI BIBLIOTECA DEL DIPARTIMENTO DI MATEMATICA E FISICA08CONS 03-XX 2160 08VS 4313 I b 20061110 UFFICIO DI BIBLIOTECA DEL DIPARTIMENTO DI MATEMATICA E FISICA08PREST 03-XX 2160 08 4406 I a 20061110 Classical descriptive set theory375578UNICAMPANIA03582nam 2200505 450 991081988190332120160929082658.01-78533-185-X10.1515/9781785331855(CKB)3710000000830380(MiAaPQ)EBC4197983(DE-B1597)637000(DE-B1597)9781785331855(EXLCZ)99371000000083038020160903h20162016 uy 0engurcnu||||||||rdacontentrdamediardacarrierThe total work of art foundations, articulations, inspirations /edited by David Imhoof, Margaret Eleanor Menninger, and Anthony J. SteinhoffNew York, [New York] ;Oxford, [England] :Berghahn Books,2016.©20161 online resource (300 pages)SPEKTRUM: Publications of the German Studies Association ;Volume 121-78533-184-1 Includes bibliographical references and index.Frontmatter -- CONTENTS -- ILLUSTRATIONS -- TABLES -- FOREWORD -- ACKNOWLEDGMENTS -- INTRODUCTION -- I Foundations -- CHAPTER 1 The Play’s the Thing Schiller, Wagner, and Gesamtkunstwerk -- CHAPTER 2 From Gesamtkunstwerk to Music Drama -- CHAPTER 3 Richard Wagner, Parsifal, and the Pursuit of Gesamtkunstwerk -- II Articulations -- CHAPTER 4 Epic Gesamtkunstwerk -- CHAPTER 5 Gesamtkunstwerk, Gestaltung, and the Bauhaus Stage -- CHAPTER 6 Exposing the Political Gesamtkunstwerk: Hanns Eisler’s Nuit et Brouillard -- CHAPTER 7 Reconciling the “Three Graceful Hellenic Sisters” Wagner, Dance, and Song-Ballets Set to Richard Strauss’s Vier letzte Lieder -- III Inspirations -- CHAPTER 8 The “Translucent (Not: Transparent)” Gesamtglaswerk -- CHAPTER 9 Quiet Audience, Roaring Crowd: The Aesthetics of Sound and the Traces of Bayreuth in Kuhle Wampe and Triumph of the Will -- CHAPTER 10 The Will to Heal: Gesamtkunstwerk and Memorial Music since 1945 -- CHAPTER 11 Consuming Voices: Musical Film and the Gesamtkunstwerk of Mass Culture -- AFTERWORD Gesamtkunstwerk as Epistemic Space -- Select Bibliography -- INDEXFor two centuries, Gesamtkunstwerk—the ideal of the “total work of art”—has exerted a powerful influence over artistic discourse and practice, spurring new forms of collaboration and provoking debates over the political instrumentalization of art. Despite its popular conflation with the work of Richard Wagner, Gesamtkunstwerk’s lineage and legacies extend well beyond German Romanticism, as this wide-ranging collection demonstrates. In eleven compact chapters, scholars from a variety of disciplines trace the idea’s evolution in German-speaking Europe, from its foundations in the early nineteenth century to its manifold articulations and reimaginings in the twentieth century and beyond, providing an uncommonly broad perspective on a distinctly modern cultural form.Spektrum (New York, N.Y.) ;Volume 12.Arts, GermanPhilosophySenses and sensation in artArts, GermanPhilosophy.Senses and sensation in art.709.43Imhoof David Michael1970-Menninger Margaret EleanorSteinhoff Anthony J.MiAaPQMiAaPQMiAaPQBOOK9910819881903321The total work of art4116095UNINA