00988nam--2200373---450 99000196801020331620210923101025.0000196801USA01000196801(ALEPH)000196801USA0100019680120040831d1980----km-y0itay0103----baitaIT||||||||001yyChe cosa contano i sindacatiWalter TobagiMilanoRizzoli1980194 p.22 cmSaggi Rizzoli2001Saggi Rizzoli2001001-------2001SindacatiStoria331.88TOBAGI,Walter142460ITsalbcISBD990001968010203316X.3.B. 3371(V B coll. 15/10)88338 L.M.V B coll.300 331.88 TOB1852 DISESBKUMADISESChe cosa contano i sindacati615026UNISA02748nam 2200505Ia 450 991074109630332120231211205334.00-520-38393-110.1525/9780520383937(CKB)28199010800041(DE-B1597)653733(DE-B1597)9780520383937(MiAaPQ)EBC31520011(Au-PeEL)EBL31520011(OCoLC)1371465440(EXLCZ)992819901080004120231101h20232023 fg engur||#||||||||txtrdacontentcrdamediacrrdacarrierHow Hip Hop Became Hit Pop Radio, Rap, and Race /Amy CoddingtonFirst edition.Berkeley, CA :University of California Press,[2023]©20231 online resource (226 pages)9780520383920 A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.How Hip Hop Became Hit Pop examines the programming practices at commercial radio stations in the 1980s and early 1990s to uncover how the radio industry facilitated hip hop's introduction into the musical mainstream. Constructed primarily by the Top 40 radio format, the musical mainstream featured mostly white artists for mostly white audiences. With the introduction of hip hop to these programs, the radio industry was fundamentally altered, as stations struggled to incorporate the genre's diverse audience. At the same time, as artists negotiated expanding audiences and industry pressure to make songs fit within the confines of radio formats, the sound of hip hop changed. Drawing from archival research, Amy Coddington shows how the racial organization of the radio industry influenced the way hip hop was sold to the American public, and how the genre's growing popularity transformed ideas about who constitutes the "mainstream."Music and raceUnited StatesHistory20th centuryPopular musicUnited StatesHistory and criticismRadio and musicUnited StatesHistory20th centuryRap (Music)History and criticismMusic and raceHistoryPopular musicHistory and criticism.Radio and musicHistoryRap (Music)History and criticism.782.421649Coddington Amy1986-authttp://id.loc.gov/vocabulary/relators/aut1448727DE-B1597DE-B1597BOOK9910741096303321How Hip Hop Became Hit Pop3644521UNINA