01359nam--2200433---450-99000146172020331620070130113647.0000146172USA01000146172(ALEPH)000146172USA0100014617220040227d1977----km-y0itay0103----baengFRa|||||||001yy<<A>> new dictionary of sign languageemploying the Eshkol-Wachmann movement notation systemEinya Cohen, Lila Namir, I. M. SchlesingerParisMouton1977455 p.ill.24 cm.Approaches to semiotics502001Approaches to semiotics502001001-------2001Semiotica149.94COHEN,Einya559230NAMIR,Lila559231SCHLESINGER,I.M.ITsalbcISBD990001461720203316IV.2. 1619(XII I coll. 2/50)11949 L.M.XII IBKUMASIAV81020040227USA011600PATRY9020040406USA011742COPAT59020050510USA011602COPAT69020061214USA011036COPAT69020070130USA011136New dictionary of sign language936848UNISA04738nam 2201213z- 450 991056646700332120220506(CKB)5680000000037710(oapen)https://directory.doabooks.org/handle/20.500.12854/81164(oapen)doab81164(EXLCZ)99568000000003771020202205d2022 |y 0engurmn|---annantxtrdacontentcrdamediacrrdacarrierArt, Shamanism and AnimismBaselMDPI - Multidisciplinary Digital Publishing Institute20221 online resource (224 p.)3-0365-2958-6 3-0365-2959-4 Art, shamanism, and animism are mutable, contested terms which, when brought together, present a highly charged package. Debates around these three terms continue to generate interest and strong opinions in the first decades of the twenty-first century. The editors recognise the urgency to explore them together in an unprecedented exercise which, to date, has only been attempted with reference to selected disciplines, periods, or regions. The contributors to this collection reignite debates around the status of 'things' identified as 'art' through the lens of theories drawn from new materialism, new animism, and multi-species and relational thinking. They are concerned with how and when art-like things may exceed conventional understandings of 'art' and 'representation' to fully articulate multiple scenarios or 'manifestations' in which they interface with academic discourses around animism and shamanism. The authors put in sharp focus the materiality of art-things while stressing their agentive, emotive, and performative aspects, looking beyond their appearances to what they do and who they may be or become in their dealings with diverse interlocutors. The contributors are united in their recognition that things and images are deeply entangled with how different communities, human and other-than-human, experience life, shifting attention from an obsolete concept of worldview to how reality is perceived through all the senses, in all its aspects, both tangible and intangible.Research & information: generalbicsscAmerican Puebloan SouthwestanalogismAncashancestor venerationAndesanimacyanimalsanimismAnishinaabe peoples and languagearchaeologyartart and archaeologyart and architectureCajatamboCasas GrandesCatholic charismatic Christianitycharismatic spaceconnectionsDaur shamanismdividualitydivinationdualismembodiment of ancestral spiritsethnographic analogyextirpation of idolatryfluidityfunerary cultgenderhorned-plumed serpenthuntingimageIndigenous ontologyinter-human metamorphosisIsogaisaKoreamaterial agencymaterial religionmaterialitymateriality of stoneMesoamericamortuary practicesmultinaturalmuseumsn/aNeolithic Britain and IrelandNew Animismsonto-praxisontologyPapua New Guineapersonhoodpipespower animalsQuechuarelational ontologyrelational theoryritual ceremonyritual creativityrock artSaami shamanismshamanshamanic landscapeshamanismshapeshiftingsocial interfacespirit impersonationspirit worldsubversiontamingtotemismtrancetreatiesResearch & information: generalWallis Robert Jedt1124106Carocci MaxedtWallis Robert JothCarocci MaxothBOOK9910566467003321Art, Shamanism and Animism3037215UNINA