01336nam2-2200445---450-99000138127020331620040130101738.0000138127USA01000138127(ALEPH)000138127USA0100013812720040130d1968----km-y0itay0103----baitaUSa|||||||001yy<<1.>> : Origini dell'arte occidentaleintroduzione generale di sir Herbert Readtesti di Donald E. Strong ... [et. al]New York [etc.]Grolier1968246 p.ill.25 cmGiuseppe Bovini, Arte paleocristiana, P. 38-61200120010010001381222001<<Il>> libro d'arteArte paleocristianaArte StoriaStoriaMedioevoArte paleocristianaArte romanaArte romanicaArte goticaREAD,HerbertSTRONG,Donald E.BOVINI,GiuseppeITsalbcISBD990001381270203316VII E 193/1L.M.VII EBKUMASIAV41020040130USA011017PATRY9020040406USA011737Origini dell'arte occidentale933533UNISA01343nam2 22003251i 450 UON0041716620231205104805.92020130131d1901 |0itac50 baengGB|||| 1||||ˆ5.: ‰Silas MarnerThe lifted veil ; Brother Jacobby George EliotLibrary edEdinburghLondon22 cm.001UON004169892001 Works of George Eliot205 Library ed210 EdinburghLondonW. Blackwood and Sons1901215 v.22 cm.001UON004171682001 Brother Jacob 001UON004171672001 ˆThe ‰lifted veil Letteratura ingleseSec. 20.UONC076988FIGBEdinburghUONL003034GBLondonUONL003044823Letteratura narrativa inglese21ELIOTGeorgeUONV119980165372Blackwood & SonsUONV250468650ITSOL20250704RICASIBA - SISTEMA BIBLIOTECARIO DI ATENEOUONSIUON00417166SIBA - SISTEMA BIBLIOTECARIO DI ATENEOSI Angl V A ELI 002 SI 3713 5 002 Lifted veil ; Brother Jacob1230955Silas Marner260356UNIOR03401nam 22005533 450 99664781820331620250224120843.09783111348476311134847410.1515/9783111348476(CKB)5860000000552816(MiAaPQ)EBC31901199(Au-PeEL)EBL31901199(DE-B1597)666162(DE-B1597)9783111348476(OCoLC)1498888040(EXLCZ)99586000000055281620250224d2025 uy 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierCultural Memory in the Icelandic Contemporary Sagas Constructing Continuity at a Time of Transformation1st ed.Berlin/Boston :Walter de Gruyter GmbH,2025.©2025.1 online resource (282 pages)Memory and the Medieval North Series ;v.39783111348421 3111348423 Frontmatter -- Acknowledgements -- Contents -- Abbreviations -- 1 Introduction -- 2 Constructing identity: The beginning of Icelandic history -- 3 Constructing continuity: The Saga Age and the Sturlung Age -- 4 Continuity and contact: Mutual influences between Iceland and Norway -- 5 The time of transformation: Iceland’s political integration with Norway -- 6 Integration and integrity: Iceland as a part of the Norwegian kingdom -- 7 Conclusion -- Bibliography -- IndexThe objective of this book is to analyse the Old Icelandic sagas dealing with the twelfth to fourteenth centuries – the secular contemporary sagas and the bishops’ sagas – from the perspective of cultural memory studies. This approach foregrounds their function as sources of the late medieval Icelanders’ collective identity, shaped by the narrative tradition and the current concerns. It is argued here that the intertextual relations between the Old Icelandic historiographical texts extend beyond the literary level and influence the perception of the past itself. The accounts of events from the settlement to the fourteenth century form a coherent narrative that acknowledges the historical development but accentuates the themes and values that continued to define the collective identity. Within this framework, the book presents a detailed analysis of how this function of the narrative shaped the sagas depicting the time when Iceland was gradually integrated into the Norwegian kingdom. As such, it contributes to a more nuanced understanding of how this culturally significant period of medieval Icelandic history was perceived when the memory of it was still crossing the boundary between common knowledge and foundational history.Memory and the Medieval North SeriesIceland.Old Icelandic sagas.cultural memory.historicity.middle ages.839.63Korecká Lucie1794711European Regional Development Fundfndhttp://id.loc.gov/vocabulary/relators/fndMiAaPQMiAaPQMiAaPQBOOK996647818203316Cultural Memory in the Icelandic Contemporary Sagas4335617UNISA