01309nam2-2200409li-450 99000013040020331620180312154634.03-540-53743-00013040USA010013040(ALEPH)000013040USA0100130402001992061988-------y0itay0103----baengGWGeneral relativity and relativistic astrophysicsNorbert Straumann2. AuflBerlin [etc.]Springer-Verlagcopyr. 1988XIII, 458 p.ill.24 cmText and monographs in physics130010003278122001Text and monographs in physics13astrofisicarelativita'53011Teoria della relativita'Straumann,Norbert40415Sistema bibliotecario di Ateneo dell' Università di SalernoRICA990000130400203316530 TMP (13)13857/CBS53000224514BKSCI1992061120001110USA01171120020403USA011620PATRY9020040406USA011610RSIAV69020090623USA011118General Relativity and Relativistic Astrophysics340049UNISA03167nam 22007095 450 991077801700332120230721022351.00-674-04387-110.4159/9780674043879(CKB)1000000000787162(StDuBDS)AH23050904(SSID)ssj0000250430(PQKBManifestationID)11193475(PQKBTitleCode)TC0000250430(PQKBWorkID)10232032(PQKB)10916844(DE-B1597)457771(OCoLC)1049627617(OCoLC)1054869907(OCoLC)979832580(DE-B1597)9780674043879(MiAaPQ)EBC3300070(EXLCZ)99100000000078716220190708d2009 fg engur|||||||||||txtccrStaging Race Black Performers in Turn of the Century America /Karen SotiropoulosCambridge, MA :Harvard University Press,[2009]©20061 online resource (xiii, 288 p. )ill., portsOriginally published: 2006.0-674-02760-4 Includes bibliographical references and index.Frontmatter --Contents --Illustrations --Acknowledgments --INTRODUCTION. Politics, Not Minstrelsy --1. Minstrel Men and the World's Fair --2. Vaudeville Stages and Black Bohemia --3. The "Coon Craze" and the Search for Authenticity --4. "No Place Like Home": Africa on Stage --5. Morals, Manners, and Stage Life --6. Black Bohemia Moves to Harlem --CODA: Hokum Redux --Notes Index --Notes --IndexDrawing extensively on black newspapers and commentary of the period, Karen Sotiropoulos shows how black performers and composers participated in a politically charged debate about the role of the expressive arts in the struggle for equality. Despite the racial violence, disenfranchisement, and the segregation of virtually all public space, they used America's new businesses of popular entertainment as vehicles for their own creativity and as spheres for political engagement.Performing ArtsAfrican Americans in the performing artsHistoryeflchPerforming artsPolitical aspectsUnited StatesHistoryRace discriminationUnited StatesRacism against Black peopleBlackfaceDramaHILCCMusic, Dance, Drama & FilmHILCCUnited StatesRace relationsElectronic books.lcshPerforming Arts.African Americans in the performing artsHistory.Performing artsPolitical aspectsHistory.Race discriminationRacism against Black peopleBlackfaceDramaMusic, Dance, Drama & Film791.08996073Sotiropoulos Karen1569160DE-B1597DE-B1597BOOK9910778017003321Staging Race3841833UNINA