01337nam1 2200313 450 00002330320090220092602.020090220g19521958km-y0itay50------bafreFRy-------001yy<<Les >>principes de la théorie des probabilités2e éd. revue et augmentéeParisGauthier-Villars1952-19584 v.24 cmTraité du calcul des probabilités et de ses applications12001Traité du calcul des probabilités et de ses applications0010000211112001 Principes et formules classiques du calcul des probabilités0010000233042001 Recherches théoriques modernes sur le calcul des probabilitésméthode des fonctions arbitraires, théorie des événements en chaine dans le cas d'un nombre fini d'étas possible0010000233052001 <<Les >>principes de la statistique mathématiqueProbabilitàTeoria519.219526.620Astronomia geodetica e posizionaleBorel,Émile Felix Edouard Justin631695Charlier,C. V. L.ITUNIPARTHENOPE200900218RICAUNIMARC000023303Principes de la théorie des probabilités1212041UNIPARTHENOPE03900oam 2200985 c 450 991104656270332120260302090207.09783775752671(ePub)3-7757-5266-89783775752664(CKB)5850000000487360(MiAaPQ)EBC31343149(Au-PeEL)EBL31343149(Hatje Cantz Verlag)9783775752664(OCoLC)1435755288(EXLCZ)99585000000048736020260302d2023 uy 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierNadim SammanPoetics of Encryption. Art and the TechnoceneNadim Samman, Neil Holt1st ed.BerlinHatje Cantz Verlag20231 online resource (159 pages) illustrationsHatje Cantz Text20Print version: Samman, Nadim. Nadim Samman : Poetics of Encryption. Art and the Technocene. First edition. Berlin : Hatje Cantz Verlag, c2023 i, 162 pages 9783775752657 3-7757-5265-X Cover Content Dark Arts Black Site Black Box Black Hole Dark Times Notes Image Credits Thanks Colophon BackcoverProprietary algorithms, secret data troves, and inscrutable systems rule the day. How is this registered in art? In Poetics of Encryption Nadim Samman explores works that highlight the hidden dimensions of our technological landscape. Running counter to erroneous claims regarding a new culture of transparency and openness, such artworks address black sites, black boxes, and black holes—all the while, toggling between enlightened concern and occult dreaming. NADIM SAMMAN is Curator for the Digital Sphere at KW Institute for Contemporary Art, Berlin. He read Philosophy at University College London before receiving his PhD from the Courtauld Institute of Art. Widely published, in 2019 he was First Prize recipient of the International Award for Art Criticism (IAAC). Major curatorial projects included the 4th Marrakech Biennale (2012), the 5th Moscow Biennale for Young Art (2015) and the 1st Antarctic Biennale (2017).Hatje Cantz Text.inscrutable systemsKW Institute for Contemporary ArtMarrakech BiennaleMoscow Biennale for Young ArtNadim Sammanoccult dreamingproprietary algorithmssecret datatechnological landscapetechnologyAntarctic Biennaleartblack boxesblack holesblack sitesculture of transparencydigitalizationdigitizationencryptionhidden dimensionsIAAC First Prizeinscrutable systemsKW Institute for Contemporary ArtMarrakech BiennaleMoscow Biennale for Young ArtNadim Sammanoccult dreamingproprietary algorithmssecret datatechnological landscapetechnologyAntarctic Biennaleartblack boxesblack holesblack sitesculture of transparencydigitalizationdigitizationencryptionhidden dimensionsIAAC First Prize709.05Samman Nadimaut1868218Holt NeildsrMiAaPQMiAaPQMiAaPQUABBOOK9911046562703321Nadim Samman4476084UNINA