01646nam2 22003011i 450 UON0049555420250611124843.48920190610d1983 |0itac50 baitaMULIT|||| |||||ˆL'‰area e la storiaGuido Fubini ... [et al.][S.l.s.n.]1983RomaTipografia Veneziana)333 p.24 cm.n. 1,2,3,4. Gennaio, Febbraio, Marzo, Aprile 1983.UON00022806Dono Prof. Alberto Varvaro.IT-UONSI F. Varvaro17831001UON000228062001 ˆLa ‰Rassegna mensile di IsraelRivista dell'Unione delle Comunità Ebraiche Italiane207 [Vol. 1, n. 1 (15 ott. 1925)]- 210 FirenzeIsrael[1925]- 215 v.25 cm300 Mensile; quadrimestrale dal 1985. - L'ed. varia in: Roma : Unione delle Comunità israelitiche italiane. - Sospeso dal 1940 al 1947.vol. 49 n. 1,2,3,4. Gennaio, Febbraio, Marzo, Aprile 1983.001UON004955532001 ˆLa ‰cultura sefardita210 [S.l.s.n.]1983RomaTip. Veneziana)215 3 v.24 cm.1SEFARDITIUONC095283FIITRomaUONL000004FUBINIGuidoUONV243793Tipografia VenezianaUONV283802650ITSOL20250613RICASIBA - SISTEMA BIBLIOTECARIO DI ATENEOUONSIUON00495554SIBA - SISTEMA BIBLIOTECARIO DI ATENEOSI F. Varvaro1783 1 SI 30086 7 Dono Prof. Alberto Varvaro.Area e la storia1556016UNIOR03652nam 22004935 450 991098307880332120250806175330.09783031596957303159695110.1007/978-3-031-59695-7(CKB)37204320300041(MiAaPQ)EBC31879002(Au-PeEL)EBL31879002(DE-He213)978-3-031-59695-7(EXLCZ)993720432030004120250114d2025 u| 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierBarbara Hammer in the Seventies Or, What a Body Can Do /by Krystyna Mazur1st ed. 2025.Cham :Springer Nature Switzerland :Imprint: Palgrave Macmillan,2025.1 online resource (390 pages)Experimental Film and Artists’ Moving Image,2523-75359783031596940 3031596943 Chapter 1-Introduction -- PART I -- Chapter 2 -1970s: Contexts -- Chapter 3- Performing the Lesbian -- Chapter 4 - What a body can do: a Hammer Toolbox. -PART II -- Chapter 5 - Dyketactics at the Limits of Feminist Lesbian Community -- Chapter 6 - Becoming-Jane Becoming-Animal: Jane Brakhage -- Chapter 7 - Strength in Doubles: Lesbian (Auto)biography -- Chapter 8- Coda: Hammer’s Queer Feminists Pedagogy, Collaboration, Legacy. .Barbara Hammer in the Seventies: Or, What a Body Can Do addresses the intersection of experimental film, lesbian sexuality, and the women’s movement in Hammer’s early films. Grounded in an embodied, sexual, and gendered positionality, these films interrogate the politics of visibility and identity and perform a discontinuous repertoire of lesbian images that resist the medium of film’s established constraints and the decade’s broader systems of signification. Hammer’s films offer a critique of the dominant discourse that privileges the discreteness and self-sufficiency of the individualistic human subject. By performing the (lesbian) body in its ‘environment’—in erotic and communal relation to other bodies—and staging the relation of human bodies with the materiality of non-human beings and objects, they create a site of intervention into the humanist project, as it informs film studies, feminism, and queer theory. This rereading of Hammer’s work offers an important contribution to conversations between feminism and queer studies. In remembering the feminist origins of queer studies, it recenters political and ethical questions such as the fundamental relationality of the subject, the subject’s dependency on others, and the resulting ethical responsibility for and towards the other. Krystyna Mazur received her MA from the English Department of the University of Warsaw and her PhD from Cornell University. Her first book, Poetry and Repetition: Walt Whitman, Wallace Stevens, John Ashbery, was published by Routledge in 2005 as part of the series Literary Criticism and Cultural Theory. Her major research interests include U.S. literature, American studies, queer studies, and film studies. .Experimental Film and Artists’ Moving Image,2523-7535Experimental filmsExperimental FilmExperimental films.Experimental Film.791.430233092Mazur Krystyna1785789MiAaPQMiAaPQMiAaPQBOOK9910983078803321Barbara Hammer in the Seventies4317270UNINA