01038nam0 22002771i 450 UON0048992820231205105327.64220180723d1970 |0itac50 baengUS|||| 1||||Empty mirrorearly poemsby Allen Ginsbergwith an introduction by William Carlos WilliamsNewly designed edNew YorkTotem/Corinth Book197061 p.22 cm.USNew YorkUONL000050811.52Poesia americana. 1900-194521GINSBERGAllenUONV127641196521WILLIAMSWilliam CarlosUONV185994Corinth BookUONV250963650ITSOL20240220RICASIBA - SISTEMA BIBLIOTECARIO DI ATENEOUONSIUON00489928SIBA - SISTEMA BIBLIOTECARIO DI ATENEOSI NordA V A 0249 SI SI 5914 7 0249 Empty mirror1525052UNIOR03804nam 22006135 450 991048319590332120250609112041.09783030505899303050589810.1007/978-3-030-50589-9(CKB)4100000011479584(MiAaPQ)EBC6363100(DE-He213)978-3-030-50589-9(Perlego)3482009(MiAaPQ)EBC6362984(EXLCZ)99410000001147958420201002d2020 u| 0engurnn#008mamaatxtrdacontentcrdamediacrrdacarrierThe Modernist Screenplay Experimental Writing for Silent Film /by Alexandra Ksenofontova1st ed. 2020.Cham :Springer International Publishing :Imprint: Palgrave Macmillan,2020.1 online resource (XI, 241 p. 8 illus., 3 illus. in color.)Palgrave Studies in Screenwriting,2731-44999783030505882 303050588X 1. Introducing the experimental screenplay -- 2. The screenplay between pragmatic and aesthetic functions -- 3. Pre-War screenwriting: Fist publications, first experiments -- 4. Interwar screenwriting in France: Scenario-poems, surrealism, and self-reflexivity -- 5. The screenplay after the Russian Revolution: For and against "facticity" -- 6. "Expressionist" screenwriting and the "ennoblement" of Weimar cinema -- 7. Modernist screenwriting against the crisis of reason -- 8. Representing despite the crisis of representation: The fallacies of modernist screenwriting -- 9. Rhythmic screenplays: Beyond dualisms -- 10. Conclusion. Techniques and functions of experimental screenwriting.The Modernist Screenplay explores the film screenplay as a genre of modernist literature. It connects the history of screenwriting for silent film to the history of literary modernism in France, Germany, and Russia. At the same time, the book considers how the screenplay responded to the modernist crisis of reason, confronted mimetic representation, and sought to overcome the modernist mistrust of language with the help of rhythm. From the silent film projects of Bertolt Brecht, to the screenwriting of Sergei Eisenstein and the poetic scripts of the surrealists, The Modernist Screenplay offers a new angle on the relationship between film and literature. Based on the example of modernist screenwriting, the book proposes a pluralistic approach to screenplays, an approach that sees film scripts both as texts embedded in film production and as literary works in their own right. As a result, the sheer variety of different and experimental ways to tell stories in screenplayscomes to light. The Modernist Screenplay explores how the earliest kind of experimental screenplays-the modernist screenplays-challenged normative ideas about the nature of filmmaking, the nature of literary writing, and the borders between the two. .Palgrave Studies in Screenwriting,2731-4499Experimental filmsMotion picture authorshipLiterature, Modern19th centuryExperimental FilmScreenwritingNineteenth-Century LiteratureExperimental films.Motion picture authorship.Literature, ModernExperimental Film.Screenwriting.Nineteenth-Century Literature.791.4375301Ksenofontova Alexandra915548MiAaPQMiAaPQMiAaPQBOOK9910483195903321The modernist screenplay2052313UNINA