03839nam 22006252 450 991078612980332120160421163346.0981-4414-46-810.1355/9789814414463(CKB)2670000000338280(EBL)1132443(OCoLC)829459997(SSID)ssj0000833704(PQKBManifestationID)12299420(PQKBTitleCode)TC0000833704(PQKBWorkID)10936081(PQKB)11784129(UkCbUP)CR9789814414463(MiAaPQ)EBC1132443(OCoLC)850226844(MdBmJHUP)muse28133(DE-B1597)492092(OCoLC)1041994994(DE-B1597)9789814414463(Au-PeEL)EBL1132443(CaPaEBR)ebr11308045(PPN)199803137(EXLCZ)99267000000033828020141103d2013|||| uy| 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierMusical worlds in Yogyakarta /Max M. Richter[electronic resource]Singapore :Institute of Southeast Asian Studies,2013.1 online resource (xii, 210 pages) digital, PDF file(s)Title from publisher's bibliographic system (viewed on 24 Nov 2015).981-4414-45-X Includes bibliographical references and index.Frontmatter -- Contents -- Acknowledgements -- Glossary of special terms -- Introduction: Approaching musical life in early post-Soeharto Yogyakarta -- PART 1. Music and the street -- Background -- 1. Sosrowijayan and its street workers -- 2. Musical forms and spaces -- 3. Music groups -- Conclusion -- PART 2. Habitus and physicality -- Background -- 4. Detachment engagement -- 5. Other worlds and sexualisation -- Conclusion -- PART 3. State power and musical cosmopolitanism -- Background -- 6. Regional Parliament -- 7. Armed Forces -- 8. Universities -- Conclusion -- Conclusion: Campursari and jalanan at the Sultan's Palace -- Bibliography -- IndexMusical Worlds in Yogyakarta is an ethnographic account of a vibrant Indonesian city during the turbulent early post-Soeharto years. The book examines musical performance in public contexts ranging from the street and neighbourhood through to commercial venues and state environments such as Yogyakarta's regional parliament, its military institutions, universities and the Sultan's palace. It focuses on the musical tastes and practices of street workers, artists, students and others. From street-corner jam sessions to large-scale concerts, a range of genres emerge that cohere around notions of campursari ("mixed essences") and jalanan ("of the street"). Musical worlds addresses themes of social identity and power, counterpoising Pierre Bourdieu's theories on class, gender and nation with the author's alternative perspectives of inter-group social capital, physicality and grounded cosmopolitanism. The author argues that Yogyakarta is exemplary of how everyday people make use of music to negotiate issues of power and at the same time promote peace and intergroup appreciation in culturally diverse inner-city settings.MusicIndonesiaYogyakartaHistory and criticismMusicSocial aspectsIndonesiaYogyakartaYogyakarta (Indonesia)Social life and customsMusicHistory and criticism.MusicSocial aspects780.959827Richter Max M.801711UkCbUPUkCbUPBOOK9910786129803321Musical worlds in Yogyakarta1802983UNINA01126nam0 22002891i 450 UON0044754320240606041354.53720141125d1969 |0itac50 bafreFR|||| 1||||Blaise PascalCharles BaudouinParisEditions Universitairesc1969124 p.18 cm.Valore stimato.IT-UONSI Francese11 C XXPAS001UON003376482001 Classiques du 20e siècle210 ParisEditions Universitaires.Letteratura franceseUONC068889FIPascal BlaiseUONC044921FIFRParisUONL002984BaudouinCharlesUONV119079126805Éditions UniversitairesUONV248851650ITSOL20250627RICASIBA - SISTEMA BIBLIOTECARIO DI ATENEOUONSIUON00447543SIBA - SISTEMA BIBLIOTECARIO DI ATENEOSI 11 C XX PAS SI SF 5320 7 Valore stimato.BuonoBlaise Pascal1331419UNIOR