00974nam1 22002651i 450 UON0034052720231205104257.26420091023f1952 |0itac50 barumRO|||| 1||||Opere aleseAl. VlahutaBucurestiEditura de Stat pentru Literatura si Arta1952- v.16 cm.Vol. 3.UON00340529001UON003264562001 Biblioteca pentru toti001UON003405292001 DanRomanAl. Vlahuta210 BucurestiEditura de Stat pentru Literatura si Arta1953215 210 p.16 cm.Vol. 3.ROBucureştiUONL000071859Letteratura romena e letterature ladine21VLAHUTAAlexandruUONV185343634783Editura de Stat Pentru Literatura si ArtaUONV275432650ITSOL20240220RICAUON00340527Opere alese1210253UNIOR03729nam 22006735 450 991048196410332120250609111434.09783030246167303024616710.1007/978-3-030-24616-7(CKB)4100000009678448(MiAaPQ)EBC5971202(DE-He213)978-3-030-24616-7(Perlego)3490920(MiAaPQ)EBC5969353(EXLCZ)99410000000967844820191029d2019 u| 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierTransmediating the Whedonverse(s) Essays on Texts, Paratexts, and Metatexts /edited by Juliette C. Kitchens, Julie L. Hawk1st ed. 2019.Cham :Springer International Publishing :Imprint: Palgrave Macmillan,2019.1 online resource (221 pages)9783030246150 3030246159 Chapter 1: Exploring a Whedonverse, the Whedonverses, and the Whedonverse(s): The Shape of Transmedia Storytelling in Joss Whedon's World(s) -- Chapter 2: Un-Warren-ted: Or, How I Learned to Stop Worrying and Love My Transgressive Fandom -- Chapter 3: History Has Its Eyes on the Greatest Hellmouth in the World: Transmedia, Hint Fiction, and Mashup Memes -- Chapter 4: Transmediating the Whedon Classroom -- Chapter 5: "This is the next me": The Evolution of AI in the Whedonverse -- Chapter 6: "You're not the source of me": Navigating and Mastering the Transmedial at the End of Buffy the Vampire Slayer's Fourth Season -- Chapter 7: "To Speak Against an Opponent Eloquently Makes You an Unusual Personage": Joss Whedon as Deleuzian 'Minor Writer' -- Chapter 8: The Transtextual Road Trip: Buffy the Vampire Slayer, Supernatural, and Televisual Forebears -- Chapter 9: A Brief Note on Looking Forward -- Index. .This book explores the transmedial nature of the storyworlds created by and/or affiliated with television auteur, writer, and filmmaker, Joss Whedon. As such, the book addresses the ways in which Whedon's storyworlds, or 'verses, employ transmedia, both intrinsically as texts and extrinsically as these texts are consumed and, in some cases, reworked, by audiences. This collection walks readers through fan and scholar-fan engagement, intrinsic textual transmediality, and Whedon's lasting influence on televisual and transmedia texts. In closing, the editors argue for the need to continue research into how the Whedonverse(s) lend themselves to transmedial study, engage audiences in ways that take advantage of multiple media, and encourage textual internalization of these engagements within audiences. .Popular cultureFilm genresCommunicationEthnologyAmericaCulturePopular CultureGenre StudiesMedia and CommunicationAmerican CulturePopular culture.Film genres.Communication.EthnologyCulture.Popular Culture.Genre Studies.Media and Communication.American Culture.791.430233092791.450233092Kitchens Juliette Cedthttp://id.loc.gov/vocabulary/relators/edtHawk Julie Ledthttp://id.loc.gov/vocabulary/relators/edtMiAaPQMiAaPQMiAaPQBOOK9910481964103321Transmediating the Whedonverse(s)2848349UNINA