00919nam0 22002531i 450 UON0032202320231205104144.35020090317d1976 |0itac50 babulBG|||| 1||||SpomeniIlija R. BalckovDoco LekovSofijaIzdatelstvo na Otecestvenija front1976193 p.21 cm.BGSofijaUONL003208891.81Letteratura bulgara21BLACKOVIlija R.UONV183467699250Izdatelstvo na Otecestvenija frontUONV274794650ITSOL20241213RICASIBA - SISTEMA BIBLIOTECARIO DI ATENEOUONSIUON00322023SIBA - SISTEMA BIBLIOTECARIO DI ATENEOSI BULGARO A II 0396 SI EO 41883 5 0396 Spomeni1370681UNIOR03586oam 22006494a 450 991052485330332120250526202843.00-253-05585-7(CKB)5600000000001704(OCoLC)1259586703(MdBmJHUP)muse92560(oapen)https://directory.doabooks.org/handle/20.500.12854/88400(oapen)doab88400(EXLCZ)99560000000000170420100429d1986 uy 0engur|||||||nn|ntxtrdacontentcrdamediacrrdacarrierJoseph Haydn's Keyboard MusicSources and Style /A. Peter BrownIndiana University Press1986Bloomington :Indiana University Press,1986.©1986.1 online resource (1 online resource xxiv, 450 pages) illustrationsHaydn expert A. Peter Brown offers the first detailed and comprehensive study of the composer's keyboard works, encompassing the solo sonatas, keyboard trios, accompanied divertimentos , concertinas and Klavierstücke. Brown first establishes that Haydn was an effective performer on the keyboard instruments of his day. Then, drawing on the latest findings, he devotes two essays to questions of authenticity and dating of keyboard works attributed to Haydn, and another to the central issue for eighteenth- century keyboard music: which instrument is most appropriate for a given work? In investigating the possible influences on Haydn of the Viennese tradition and of C. P. E. Bach, the author concludes that Haydn learned from both but put his own stamp on everything to which he was exposed. In the last three essays, Brown traces the development of Haydn's musical language, describing the relationship of certain genres in the composer's oeuvre and providing a chronological examination of the structure and style of the works in each category. Haydn's contributions to the symphony and the string quartet have long been acknowledged. This meticulously documented study now celebrates Haydn's accomplishments in the realm of keyboard music.KlaviermusikgndPianomuziekgttKeyboard instrument musicfast(OCoLC)fst00986987Concertosfast(OCoLC)fst00873010Chamber musicfast(OCoLC)fst00851938Concerto18e siecleMusique de chambre18e siecleHistoire et critiqueInstrument à clavier, Musique d'18e siecleHistoire et critiqueConcertos18th centuryHistory and criticismChamber music18th centuryHistory and criticismKeyboard instrument music18th centuryHistory and criticismCriticism, interpretation, etc.Music criticism and reviews.lcgftKlaviermusikPianomuziek.Keyboard instrument music.Concertos.Chamber music.ConcertoMusique de chambreHistoire et critique.Instrument à clavier, Musique d'Histoire et critique.ConcertosHistory and criticism.Chamber musicHistory and criticism.Keyboard instrument musicHistory and criticism.Brown A. Peter1139483MdBmJHUPMdBmJHUPBOOK9910524853303321Joseph Haydn's Keyboard Music2676818UNINA