00666cam0-2200253 --450 991030895940332120190212114239.0IT1947 437120190212d1947----km y0itay50 baitaIT 001yyMeccanica applicata alle macchineA. AnastasiRomaTuminelli1947v.23 cm1.: 703 p.Anastasi,Anastasio29021ITUNINAREICATUNIMARCBK9910308959403321B 1/4571DINTRDINTRMeccanica applicata alle macchine1542668UNINA03378nam 2200577 450 991079775900332120230808212536.090-04-30208-510.1163/9789004302082(CKB)3710000000504652(EBL)4397564(SSID)ssj0001579344(PQKBManifestationID)16253877(PQKBTitleCode)TC0001579344(PQKBWorkID)12422211(PQKB)10070587(MiAaPQ)EBC4397564(nllekb)BRILL9789004302082(EXLCZ)99371000000050465220160615h20162016 uy 0engur|n|---|||||txtccrThe understanding of ornament in the Italian Renaissance /by Clare Lapraik GuestLeiden, Netherlands ;Boston, [Massachusetts] :Brill,2016.©20161 online resource (708 p.)Brill's Studies in Intellectual History,0920-8607 ;Volume 245Brill's Studies on Art, Art History, and Intellectual History, ;Volume 10Description based upon print version of record.90-04-29796-0 Includes bibliographical references and indexes.Preliminary Material -- Introduction -- 1 Kosmos -- 2 Rhetoric and Illusion -- 3 Cosmic Decor -- 4 Architecture and the City -- 5 Garland and Mosaic in Literary Humanism -- 6 Topics and Style -- 7 Ornament and Disegno, Colour and Perspective -- 8 The City Recovered, Triumph and Time -- 9 The Emblematic Continuum -- 10 Spolia and Ornamental Design -- 11 The Grottesche Part 1. Fragment to Field -- 12 The Grottesche Part 2. Signs, Topography and the Dream of Painting -- Conclusion -- Bibliography of Works Cited -- Index of Names -- Index of Places -- Subject Index.In this paradigm shifting study, developed through close textual readings and sensitive analysis of artworks, Clare Lapraik Guest re-evaluates the central role of ornament in pre-modern art and literature. Moving from art and thought in antiquity to the Italian Renaissance, she examines the understandings of ornament arising from the Platonic, Aristotelian and Sophistic traditions, and the tensions which emerged from these varied meanings. The book views the Renaissance as a decisive point in the story of ornament, when its subsequent identification with style and historicism are established. It asserts ornament as a fundamental, not an accessory element in art and presents its restoration to theoretical dignity as essential to historical scholarship and aesthetic reflection.Brill's studies in intellectual history ;v. 245.Brill's studies in intellectual history.Brill's studies on art, art history, and intellectual history ;v. 10.Decoration and ornamentPhilosophyDecoration and ornament, RenaissanceItalyDecoration and ornamentPhilosophy.Decoration and ornament, Renaissance747.094509024Guest Clare Lapraik1485895MiAaPQMiAaPQMiAaPQBOOK9910797759003321The understanding of ornament in the Italian Renaissance3705187UNINA01033nam0 22002771i 450 UON0032091320231205104139.78584-7154-973-520090218d1995 |0itac50 baspaES|||| 1||||De catro a catroe outros poemasManoel AntonioVigoGalaxia1995151 p.19 cm.Dono Inst. CervantesIT-UONSI SPAI/0406001UON003209142001 Biblioteca da Cultura Galega210 VigoGalaxia35ESVigoUONL003350MANOELAntonioUONV182859699071GalaxiaUONV266390650ITSOL20240220RICASIBA - SISTEMA BIBLIOTECARIO DI ATENEOUONSIUON00320913SIBA - SISTEMA BIBLIOTECARIO DI ATENEOSI SPA I 0406 SI LO 72080 5 0406 Dono Inst. CervantesDe catro a catro1371046UNIOR