01132nam0 22002771i 450 UON0028359720231205103848.28620061113d1960 |0itac50 baitaSPAIT|||| 1||||Adversa fortuna de don Alvaro de LunaMira de Amescuaintroduzione, testo critico e note a cura di Luigi de FilippoFirenzeFelice Le Monnier1960XLVI, 326 p., [4] c. di tav.19 cm.001UON002836022001 Biblioteca letteraria5ITFirenzeUONL000052792.0946Teatro spagnolo21MIRA DE AMESCUAAntonioUONV163847439923DE_FILIPPOLuigiUONV163953Le MonnierUONV249266650ITSOL20240220RICASIBA - SISTEMA BIBLIOTECARIO DI ATENEOUONSIUON00283597SIBA - SISTEMA BIBLIOTECARIO DI ATENEOSI SPA II 127 SI SP 4 5 127 Adversa fortuna de don Alvaro de Luna1077491UNIOR03856oam 2200541I 450 991036765750332120240226214747.090-04-29199-710.1163/9789004291997(CKB)3710000000567888(nllekb)BRILL9789004291997(oapen)https://directory.doabooks.org/handle/20.500.12854/30576(MiAaPQ)EBC31217467(Au-PeEL)EBL31217467(EXLCZ)99371000000056788820150521d2015 uy 0engurcn#---unuuutxtrdacontentcrdamediacrrdacarrierArt crossing borders the internationalisation of the art market in the age of nation states, 1760-19141st ed.Leiden :Brill,[2015]1 online resource (xv, 351 pages) illustrations (some color)Studies in the history of collecting & art markets,2352-0485 ;volume 690-04-29198-9 Includes bibliographical references and index.Front Matter --Copyright page --Acknowledgements --Figures --Contributors --Towards an International History of the Nineteenth-Century Art Trade /Jan Dirk Baetens and Dries Lyna --The Education of the Art Market: National Schools and International Trade in the “Long” Nineteenth Century /Jan Dirk Baetens and Dries Lyna --‘Directions to Know a Good Picture’: Marketing National School Categories to the British Public in the “Long” Eighteenth Century /Bénédicte Miyamoto --Creating Cultural and Commercial Value in Late Nineteenth-Century New York Art Catalogues /Leanne Zalewski --(Inter)national Art: The London Old Masters Market and Modern British Painting (1900–14) /Barbara Pezzini --The Artistic Trade and Networks of the Italian Community in London Around 1800 /Camilla Murgia --Berlin – Paris: Transnational Aspects of French Art Auctions in the Middle of the Nineteenth Century /Lukas Fuchsgruber --Appropriation as a Form of Nationalism? Collecting French Furniture in the Nineteenth Century /Adriana Turpin --The Modern Italian Sculptor as International Entrepreneur: The Case of Medardo Rosso (1858–1928) /Sharon Hecker --Art Reproduction and the Nation: National Perspectives in an International Art Market /Robert Verhoogt --Reframing the “International Art Market” /Pamela Fletcher and Anne Helmreich --Back Matter --Index.Art Crossing Borders offers a thought-provoking analysis of the internationalisation of the art market during the long nineteenth century. Twelve experts, dealing with a wide variety of geographical, temporal, and commercial contexts, explore how the gradual integration of art markets structurally depended on the simultaneous rise of nationalist modes of thinking, in unexpected and ambiguous ways. By presenting a radically international research perspective Art Crossing Borders offers a crucial contribution to the field of art market studies.Studies in the History of Collecting & Art Markets ;6ArtCol·leccionistes i col·leccionsHistòriaS. XVIII-XXArtAspectes econòmicsS. XVIII-XXArtMàrquetingHistòriaS. XVIII-XXMàrqueting internacionalHistòriaS. XVIII-XXArtCol·leccionistes i col·leccionsHistòriaArtAspectes econòmicsArtMàrquetingHistòriaMàrqueting internacionalHistòria707.5Baetens Jan DirkLyna DriesNL-LeKBNL-LeKBBOOK9910367657503321Art crossing borders2133274UNINA